By
20 000 Word Fourth Year History Thesis
4 November
1995
Supervisor: Associate Professor Beverley Kingston
The University of New South Wales
“Is this it,
then, the truth of the case, that ultimate nugget of certainty that historians
once imagined they would find if only they looked hard and long enough in the
archives?”
Simon Schama, Dead Certainties.
“History must strive to be an art
before it can pretend to be a science.”
J.H. Plumb, The Death of the Past.
Contents
Acknowledgments
Synopsis
Prologue: The Use of Evocative Narrative
The Journey
PWJ1001
The End of the World
The Island.
Appendix A: The Use of Oral History
Appendix B: Was Hajime Well-Connected?
Appendix C: Hajime is a Figure Whose Capture Amounts
to Heroism
Appendix D. The Death of Certainty
Epilogue: How I Wrote the Story of Hajime
A: Stylistic Devices
B: Sources
C: A Note on Epistemological Angst
Bibliography
Acknowledgments
Firstly
I would like to thank Associate Professor Beverley Kingston, whose support of
and belief in academic freedom made this thesis possible. Dr. David Potts, who
directed me in the use of the evocative style of writing. Dr. Dilip Basu of The
University of California, Santa Cruz, who taught me that the small person in
history can reveal something much bigger. Michael O’Sullivan of the Australian
War Memorial, who helped me with the task of using the Memorial’s vast
collection (especially in relation to the capture of Hajime Toyashima). Llewellyn Hughes of Melbourne University whose
knowledge of Japanese was helpful in searching for Japanese language articles
(and by phoning The Centre for Military History in Japan). David Wilson of The
RAAF Historical Section who helped with the details relating to the bombing of
Darwin and by directing me to secondary articles written about Hajime. John Haslett of The Northern
Territory Aviation Historical Society who first gave me the outline of the
story of Hajime. And Les Powell whose
stories and eyewitness accounts were invaluable. I would also like to thank
Simon Lancaster of The Law Book Company who helped in proof-reading this
thesis, and Sam Crupi who kindly lent me his computer.
Synopsis
What
follows is a story told using the oldest form of history writing. It is a story
of Hajime Toyashima, Australia’s
first prisoner of war. Hajime was
involved in the bombing of Darwin and is said to have played a major role in
the Cowra breakout. Both these events are important incidents in twentieth
century Australian history. The telling of this story conduces a certain
importance upon those who tell it and it is this that I bring into question. The
purposes of this story beyond its substantial entertainment value, how I
researched it, and how it has been constructed by others are, on one level, the questions that I address.
From
an historiographical perspective, narrative history is not held in very high
esteem in the academy. I attempt to explain how this has come about and why
this mode is as legitimate or even more legitimate that scientific empiricism.
I not only put this mode in its historical perspective in the prologue, but
also address some of the debate surrounding it in the epilogue. On this level
the epistemological advantages should become self-evident after the reading of
the story. The historiographical questions, the practical questions of Hajime Toyashima, and the questioning of
historical truths are the parameters of this study. Thus the title, The Question of Hajime.
Prologue:
The Use Of Evocative Narrative.
There
are many advantages in the self-conscious use of “evocative narrative” to
convey historical meaning. There are the advantages of entertainment and broad
accessibility over narrow specialisation and analytical rigidity. There are the
advantages of visualisation and dramatic re-enactment over the often reductive
and prosaic nature of analysis. By gaining a sense of sharing in the events that
the narrator is trying to describe, the reader can bring to those events much
more individual interpretation, analysis is more conclusive and controls and
directs the reader to absolutes that often deny the tangential and somewhat
chaotic nature of the fabric of human history.
I
have chosen to use a form of story telling to tell the story of Hajime Toyashima because, quite simply,
it is a wonderful story. To reduce it to lofty academic prose would be to take
something away. It would be like building an intellectual parking lot over a
site of historic significance. It would deny the voice of the characters that
made that history and impose upon them the sterility that is often associated
with the modern academy. This may strike the reader as story rather than
history, but it is history: well
researched, synthesised and conveyed. This story represents a deliberate
turning away from analytical history and is an unabashed revival of
‘old-fashioned’ nineteenth century narrative. It uses many fictional devices,
but it is not fiction. It is a story that is constricted by documentary
evidence.
There
was once a time when storytellers were accepted within the academy. In the
third quarter of the nineteenth century however, the free companionship between
literature and history was deemed, by newly founded university departments, to
be fundamentally un-serious. The storytellers were shoved aside by scientists
intent on reconstructing from fragments and clues what they insisted would be
an empirical, verifiable, objectively grounded version of an event; its causes
and consequences precisely delineated. Storytellers not only lost ground, they
became aggressively despised.[1]
The
simplest forms of historical narrative appeared in and around Europe in
cultures that had a simplistic, linear view of time. A developed theory of
historiography did not exist so the chronicle and annuals became the means of
recording what were deemed important historical characters and events.[2]
Books such as The Old Testament of The Bible and Geoffrey of Monmouth’s History of the Kings of Britain are
examples.[3]
More
sophisticated forms of narrative history appeared over time, such as the plot
in the ancient epics. The ancient epic recorded through a simple linear story
the life of a hero or significant historical figure. Beowulf, written in 500AD, had a simple, linear plot: the
sequential chronicle of the deeds of a hero. The simple linear plot of the
ancient epic was supplanted by the multifoliate plot of the romance; such as in
the Arthurian Romance Sir Gawaine and the
Green Knight.
Plot
is the dynamic and sequential element in narrative history. The importance of
plot in narrative history is that it forms part of the story. In so far as
character or any other element of the narrative becomes dynamic, it is part of
the plot. Story, language, plot, and character are the elements that give
narrative history its evocative power.[4]
When
history became highly professional and highly scholarly, the audience changed
from a popular, to a narrowly specialised one. In the ancient world, a general
audience was the only one available, so all historical narratives had to be
artful.[5]
The Historian who hopes to reach an audience beyond his or her fellow
professional is to, some extent, artistically minded.[6]
Narrative
history is artful because it can evoke emotional responses and is thus more in
touch with everyday life. Through language, plot, and character, an event can
be critically enacted in a far more skilful fashion than with the singular use
of analysis.[7] The attempt
to analyse and form models immediately removes many of the ambiguities that
constitute what it is to be human. Narrative allows controlling perceptions,
but without the artificial exactness of science. It is fundamentally less conclusive
and does not as readily control the reader’s understanding of the past. The
reader can get a sense of being there as a reader of history but not as a
controlling actor. The events do not have to be excessively analysed. The
connections are left open; how the narrative historian loosely connects and
directs the descriptions of events is a creative process, not a scientific one.
Analytic
history appears as a presentation of neat and self-contained little blocks. No
one could possibly assemble analysis into one continuous and useful narrative.
History is a multi-layered fabric of cause and effect, or, to use a metaphor
like a tree with many branches leading off, stopping, dividing and twisting,
growing and constantly changing. The narrative historian has greater choice
through artistic liberty to resonate life and the amalgam of events, time,
place and character from which the narrative emerges.[8]
What
I am offering here is simply something more aesthetically pleasing and
imaginatively exciting than the prescribed rules of history writing currently
allow. As with Simon Schama, John Womack, Garrett Mattingly, T.B.Macaulay, Sir
Walter Scott, and Kenneth Roberts, by using my creative skill, I hope to make
history interesting so as to stir ordinary people into feeling passionately
about the past. I realise that the conventions of history writing, like any
conventions, are fragile and are vulnerable to challenge. These conventions
were painstakingly developed over the past century and I feel there is no reason
why documentary proof should not guide and control the writing of history.
But
it is “positivism” or the belief that there is an ultimately observable,
empirically verifiable truth that in our Postmodern times is dead. It is not
historians like Schama who are murdering the discipline as Keith Windshuttle
asserts instead it is history written in impenetrable prose, entombed in
erudite discourse, excluding the imagination and enforcing academic
predictability, that is a slow form of professional suicide.[9]
As we approach the next millennium, Clio’s accountability to the Supreme
Historical Court appointed by the ideologically correct, seems to present a
less pressing task than restoring history to the forms by which it can catch
the public imagination.
The Journey.
He
stood on the deck of the Hiryu clad
in his full flight gear. Wearing knee-high boots, zip-up over-alls, and a fur
lined cap, Hajime Toyashima was eager
to get away. It was the height of the southern summer and with later
temperatures promising to climb to 43 degrees, the morning freshness was a
welcome reprieve.[10]
His spirits were high and his confidence as expansive as Japan’s empire, now
extending throughout East Asia and the Pacific.[11]
It had only been three months since it had entered the war, but in this time,
Japan had managed to reverse 400 years of European colonialism.
This
Knowledge was comforting to the air leader, Commander Mitsuo Fuchida. Beneath his feet was the steel flight deck of the
36 000 ton aircraft carrier Akagi: the
flagship of the task force commander, Admiral Chuichi Nagumo, the distinguished
leader of the Pearl Harbour attack force. Directly behind Akagi at a distance of about five hundred meters was her sister ship
Kaga. The carrier Soryu was about 700 metres from Akagi’s port flank and directly behind Soryu was the carrier Hiryu.[12]
An
operation order had been received calling for a strike by 188 carrier borne
aeroplanes.[13] Fuchida was
pleased to be going into action, but less pleased with the task he had been
given. He did not think that Darwin was worthy of a Japanese attack, but his
superiors were concerned about the possible use of Darwin to impede Japanese
ambitions in the Netherlands’ East Indies.[14]
Commander
Fuchida walked over to the wing of his Mitsubishi-built Kate bomber. He was
finishing a cup of bean soup and now ate sparingly from a bowl of rice and
pickled plums. He accepted philosophically the news that there was no coffee
because the cooks had already left the galley for action stations. Fuchida put
his bowl aside and gave full attention to the task ahead.[15]
The
sun was rising as Fuchida turned to his pilot and radio operator. Fuchida
shaded his eyes from the sun and scanned the horizon.
“It
is seven thirty, Sir. We are ready when you are”, reported a lieutenant.[16]
The
mechanical crews had been running-up engines and making last minute adjustments
since 5.00 a.m. They idolised their leader, the Navy’s unchallenged top air
commander.[17] An 800kg
bomb with the fuse attached had been placed in the rack of Fuchida’s plane. He
made a quick but expert inspection, grunted, then walked away to greet other
crews preparing.[18]
Fuchida,
with his brown eyes, prominent chin, and rather big ears looked almost aristocratic
sitting in his bomber.[19]
He signalled that he was ready for the launching to begin and within seconds,
the orders came over the loud speakers.
“All
hands to launching stations”.
Fuchida
gave the thumbs up as he heard the broadcast order.
“Start
engines”[20]
Blue
smoke and sheets of flame flashed from exhaust pipes.
Hajime
marched over to his plane, pausing briefly to pay homage to a small Shinto shrine erected on the deck.
There were rigorous standards of behaviour expected of young pilots and higher
powers that demanded his subservience.[21]
He climbed into his Zero fighter and
adjusted himself snugly in the cockpit. The blocks were taken from under the
wheels of his plane and he taxied into position. Pulling the cover of the
canopy over his head and strapping on his goggles, Hajime watched the flagpole
on top of the bridge for the signal. The flag was hoisted and in meticulous
sequence, the planes thundered down the runway.[22]
Hajime
made the assent into the cloudless sky where he met, in formation, the others
from his squadron. Hajime’s Zero was one of the forty-five planes on the Hiryu. He would join the divisions from
the other three carriers. The attack would be followed by 54 land-based bombers
from Ambon, off Ceram and Kendari in the Celebes.[23]
Amassed around him was the might of the Japanese Navy, whose historic mission
was to destroy America and her allies.
Fuchida
directed the formation of the planes. Fighters, dive-bombers, and level bombers
climbed to cruising altitude. The fighters were ahead of the other planes to
provide and maintain a protective screen in the case of attack.[24]
Fuchida
glanced at his watch. It was 8.45 a.m and he brought the attacking force on to
a compass bearing of 148 degrees. This course, with the prevailing northwest
winds, would bring them to Darwin in little more than an hour.[25]
Hajime
was a somewhat handsome and intelligent young pilot of twenty-two. He was very
excited, as this was his first mission.[26]
In his pocket he had a small photo of a Shinto shrine and a rice-paper prayer.[27].
He thought of his family back home and he swelled with pride. He imagined
returning home to his village, victorious and self-satisfied and sharing his
glory. He owed so much to his father in becoming an elite member of the
Japanese air force.
His
parents were solid, respectable citizens in a small village in Kagawa prefecture.[28]
They grew cotton and rice and cultivated silk worms in the roof of their house.[29]
Through hard work and toil his family had prospered and had become one of the
leading cotton growers in Kagawa. He
reminisced about carefree days of playing with other members of the community.
He missed his friends, especially the boys. If only they could see him now.
The
time was now 9.10 a.m: in 50 minutes they would be in Darwin. Between the drone
of the engine and the endless sky, he was at peace with himself, alone in his
Zero. A wind that was surely a sign from the gods sent ripples over the ocean
below.
When
Hajime was only seven his father had held him in his arms as their home had
fallen around them. Their crops were destroyed and their house crumbled before
their eyes. The earthquake reaped havoc throughout Japan and as many as 100 000
people were killed.[30]
The catastrophe affected him deeply as he came to realise the fragility of his
beautiful homeland. All efforts to build a society can be destroyed instantly.
This
setback did not deter his father in the slightest. He worked all the harder
from first light until late in the day. His mother worked at the loom
unceasingly, morning to evening. Hajime and his brothers manured the fields,
removed weeds, and let in water so the ears of the rice ripened full and plump
and the flowers on the cotton plant grew fluffy and fat. They rebuilt the house
with its tall-pointed roof, overhanging eaves to allow the heavy rain to run
off, and an extra story for the silk worms.[31]
If their prosperity had been restored it was because they had worked so hard,
enough to wear out his father’s spade and hoe.
The
bright red flag was in stark contrast to the metallic grey of the planes, which
in turn, contrasted with the pale blue of the southern sky.[32]
The glass enclosure of Hajime’s plane glistened in the sunlight. He could see
the bombs of his comrades. Soon these bombs would be whistling downward;
downwards to destroy the barbarians below.
Just
45 minutes to go!
Hajime
though that Japan’s enemy was weak. Japan had only been in the war since the
attack on Pearl Harbour and even America, the world’s most industrialised
nation, had seemed no match for Japan. British air power in Hong Kong had been
shattered on December 8 and both the British and Canadian forces there had
surrendered by Christmas day. Japan occupied Bangkok on December 9 and Victoria
Point in Burma on December 16. By the end of January 1942, just two Japanese
divisions of the 25th Army had occupied all Malaya with surprising ease.[33]
In
Burma, Japan had taken Moulmein and was now advancing rapidly towards Rangoon.
The “East-Asian Co-Prosperity Sphere” now included parts of New Guinea. On
February the 15th, the 100 000 strong British, Australian and Indian garrison
in Singapore, along with thousands of tons of war material and supplies,
surrendered to just 30 000 Japanese Imperial Guards. These guards were
themselves short of ammunition and food. Almost the entire Indonesian
archipelago was now under Japanese control. It appeared that nothing could stem
the astonishing flood of Japanese conquests, now approaching Australia itself.[34]
The
time was now 9.25 a.m.
Hajime
had not long been out of school. He attended Osaka secondary school and was educated to secondary standard. Osaka was the booming industrial centre
of Japan and it contrasted greatly with the crystalline purity of his village
life. The sludge-filled rivers, the grind of machinery, the streets filled with
carts of all kinds drawn by man and animal. The notices postered on telegraph
poles calling for women to work in suburban textile mills, the electric
trolley’s zigzagging over-head wires: these were all signs of the times and Osaka was a product of Japan’s
burgeoning industrialist-capitalist economy.[35]
At
Hajime’s school, the boys were made to stand to attention. The austere
headmaster stood at the front and imperiously gazed out over his new recruits.
Behind him hung the portrait of the emperor, clad in military attire.[36]
The
headmaster un-apologetically outlined the schools elitist nature. The gentleman
reaches upward, the inferior man reaches downward, the gentleman understands
what is right, and the inferior man understands what is profitable. The world
of nature and man are unequal and thus in accordance with the doctrine of the
righteousness of status, the educated elite are inherently obliged to give
moral guidance to the illiterate barbarians.[37]
After
the speech the boys were made to shout and gestate manly feats whilst the
headmaster bellowed out instructions:
You
beg me to call you boys...If you want your upperclassmen to treat you as men,
how do you intend to prove yourself? Never stoop to acting like girls! Be like
Alexander the Great! Demonstrate your manliness![38]
Hajime’s
independent urge towards self-improvement soon diminished. Having little or no
choice, he had to seek an identity in the bonds of his peer group. Facilitated
by his lessons, his loyalties soon switched from a dependence on his family to
a dependence on his school.
History
was based on the indoctrination of facts, mostly obscure and untrue. It
promoted a cult of war through veneration of war heroes and historical imperial
loyalists.[39] It enshrined
the people who had loyally served the emperor in the nationalist wars of the
time. It produced a rigidity and conformity that suited the military-industrial
machine.
It
was now 9.31a.m. They were just 29 minutes away from target. Their flight path
took them directly over Bathurst Island, about 80 km northwest of Darwin. The
heavy wooded island below was home to many Aboriginal tribes and a Catholic
mission. As the planes passed by, Fuchida could see the corrugated iron roof of
the mission church, but he could also see an aeroplane. This aeroplane could
cause problems. It would have to be destroyed.
Six
Zero fighters were sent to investigate, whilst three bombers circled overhead.[40]
The
missionaries of the Sacred Heart Mission had started their day as usual with
the morning angelus being rung at six o’clock. They had breakfast and then
allocated jobs for the three hundred Aborigines who lived on the mission.[41]
Brother
Francis Quinn turned over in his bed. He was not feeling well and had decided
to stay where he was until his conscience or one of the other brothers forced
him to rise. Suddenly there was a loud commotion outside among the tribesmen
and women. Then the mission priest, Father John McGrath, rushed past his door
shouting something about the wireless station.[42]
Almost
instantly brother Quinn was out of bed and in the naked yard. He looked up and
saw more aircraft than he had ever seen at one time in his life. Although they
had silhouette charts, the aircraft were too far away to identify. But there
was no doubt that the course on which they were set would bring them over
Darwin in less than half an hour.[43]
Father
McGraph switched on the Radio to send his message of warning:
“Eight
SE to VID”, he called. “I have an urgent message stop An unusually large air
formation bearing on us from the north west stop Identity suspect stop
Visibility not clear stop over”.[44]
He
transmitted verbally, and at Darwin Radio, Lou Curnock received the message and
immediately confirmed it. He followed the set procedure and telephoned RAAF
Operations in Darwin to pass on the message to the duty officer. It was
9.37a.m. and the officer acknowledged receipt of the message. Curnock entered
it in his log and returned to his radio.[45]
He
told Father McGrath to stand by while he passed on the warning, but the priest
was doing no such thing. He had scarcely finished his transmission when out of
the sky the six Zero fighters swooped down and machine-gunned the transport
plane that was sitting on the ground nearby.[46]
Father
McGrath scurried to take cover having already started a stampede by telling the
Aborigines to get out of the mission. With the rat-tat-tat of their machine
guns, the Japanese fighters blasted a hole in the church roof. The small radio
room hidden in the citrus orchard remained untouched.[47]
Helped
by the pilots from the now destroyed transport plane, the missionaries worked
feverishly to dismantle the wireless and carry it deep into the bush. They
feared that the Japanese would be landing any moment. [48]
The
Zeros flew off as quickly as they had come, leaving behind their gesture of bad
will.[49]
Hajime
watched the planes return to their grouping. He contemplated these Zeros and
how they were the greatest flying machines ever built. They were far superior
to the enemy’s planes, which were slower and not as manoeuvrable. The planes in
Darwin would be no match for his Zero. What would the barbarians know about
planes? After all, the aeroplane was a Japanese invention.[50]
Father
McGrath’s message to Lou Curnock, warning of the approach of unidentified
aircraft over Bathurst Island, was telephoned immediately to RAAF Operations at
9.37a.m. The operations room had eight telephones and at the best of times, was
in fairly hectic confusion. The message was taken by Pilot Officer Richard
Saxton, one of the officers on duty.[51]
It was then given to the senior officer at Area Command Headquarters,
Lieutenant-Commander Stirling Cobbold of the Royal Australian Navy. He in turn
communicated with Lieutenant Francis Glynn, the Staff Officer, Operations, at
Naval Headquarters. Glynn then gave the message:
“Don’t
do anything, we think they are our own”.[52]
It
was now 9.45 a.m.
Japan’s
early success in Manchuria changed
the national mood. There was resentment against the rest of the world, that had
vehemently criticized Japan’s occupation in China. The ultra-nationalist
elements began to gain the upper hand and more and more began to shape domestic
as well as foreign policy. With the growing nationalism and militarism, the
notion of kokutai reached its apogee. [53]
Kokutai is an
amalgam of beliefs, synthesizing elements of Shinto mythology, Confucian ethics, and the martial ethics
propagated by Bushido.[54]
By 1937 it became the vehicle of indoctrinating the entire population of Japan.
It imbued beliefs such as the divine origin of Japan and its imperial dynasty,
Japan’s uniqueness, its moral superiority and its mission to establish a world
empire.[55]
The
time was now 9.55 a.m.
In
1929 the U.S. stock market crashed, and to protect their domestic markets,
economic barriers were raised in countries around the world. Japan was
particularly vulnerable due to a lack of raw materials and a lack of market
control. Rural families were particularly hard hit, as cotton made up the bulk
of the Japanese export industry.[56]
As the economic depression deepened, anti-foreign sentiment grew and Fascism began to replace democracy.
Once
again Hajime witnessed his family’s fortune, for which they had worked so hard,
diminish rapidly. Along with many other Japanese people, his family put their
faith in the militarist idea of imperial acquisition.
Democracy
died in Japan when the political parties voted themselves out of existence and
joined the Imperial Assistance Association. In the same year, Japan joined the
triple alliance pact of Japan, Germany, and Italy. Gradually the military
gained control of the media and began a vicious cycle of indoctrination that
generated acceptance of its actions.[57]
PWJ11001
From
Darwin, on the 25th of February, Tadeo
Minimi, Australia’s first Prisoner Of War, was sent to Melbourne in an RAAF
transport plane. He was held in an RAAF detention centre under the direct
custody of Flight Sergeant Sam Shallard, of the RAAF’s service police-special
investigation unit.
Shallard
spent days with Tadeo reciting and recording Japanese and English words and
phrases. He supervised his exercise routine and played badminton with him.[58]
They spent hours together teaching each other the rudiments of their respective
languages. Shallard and Tadeo began a
curious friendship.
Tadeo
spoke to Shallard often about the impossibility of returning to Japan. Whatever
the outcome of the war, he would be judged to have disgraced his country,
emperor, and family by being captured. Tadeo said there would be no place for
him in the future of his family or his country.[59]
Back
in Darwin, the Royal Commission into the bombing was well underway. Justice
Lowe had interviewed many people to try to ascertain the failures of the
civilian and military response: especially why the warning had been ignored and
how Darwin could be better prepared in the future.[60]
On
the fifth Day (March the 9th) Justice Lowe, whilst questioning a Flight
Lieutenant C. Bell on why the RAAF had responded so poorly, discovered that a
Japanese pilot had been captured.
“So
you are blaming inexperience Lieutenant Bell?”
Yes.
“No one had been in a job long enough to get used to it... All appointments are
elected from Melbourne...”
The
Commissioner: “As a matter of interest I have just located a Zero fighter on
Melville Island...”
Lieutenant
Bell apparently knew something about this and proceeded to tell Justice Lowe...
Bell:..“One
airman was interrogated by the naval authorities through an interpreter and he
said he was a writer. He was an air-gunner on a bomber which we believe was
shot down. He absolutely was telling him a story. We are quite convinced he was
a pilot of a Zero.”
The
Commissioner: “Is it a matter of wrong interpretation?”
Bell:
“No I don’t think so. He told a story and he said he fell into the sea, but his
uniform had no proof.”
The
Commissioner: “What was his uniform?”
Bell:
“A ground over-all with no patches or rank at all.”
The
Commissioner: “What would he be bearing on the over-all?”
Bell:
“Nothing at all. He had the name of an aircraft carrier on it.”
The
Commissioner: “What age would he be?”
Bell:
“About twenty”.[61]
Tadeo
spent four weeks in Melbourne. He was then sent to Hay detention centre in New
South Wales.
Before
being put on the train under guard, Tadeo wrote a letter to Shallard on pages
of Shallard’s diary. This was the same diary in which Tadeo had copied hundreds
of phonetic Japanese translations of English words and phrases. It read:[62]
Dear
Mr. Shallard
I
would like to thank you very much for your hospitality and particularly the
story of Japan, which you have told me from time to time. I hope you will do
your best for your country in the future. I want to thank you very much for the
kindness you have shown me. I have spent healthy and peaceful days with you
until now, but now I am quite prepared to die anytime. I think this is the time
to say good-bye to you. I can really hear that my mother in my home town is
saying, "You die for the mother country”. Then I want to say “sayonara”.
To have a life for 25 years, or for 50 years, or 100 years, it doesn’t make
much difference for me unless I can do what I can to satisfy myself. I have no
regrets to die since I shot down two fighter planes anyway.[63]
Hay
was mostly a civilian detention centre that held Japanese pearl divers and
fishermen from Broome, bankers, and office managers based in Australia, and
visiting Japanese businessmen stranded by the outbreak of war. The existence in
Hay was certainly not harsh.
Tadeo
kept taking notes to add to his vocabulary. He worked hard on his English,
practising when he could with guards and farmers and businessmen who knew
something of the language. He applied himself enthusiastically and before long,
his newly acquired language abilities, as well as his status as a sergeant and
naval airman, caused the camp authorities to call on him often for low-level
translation tasks. He became an unofficial leader and spokesman.[64]
In
December of 1942, he was sent by rail to another camp at Cowra.[65]
Tadeo had the first POW number PWJ11001.[66]
This camp was dedicated solely to the incarceration of prisoners of war. Tadeo
found himself with a number of Italians, but he mostly remained in a large,
separate, and comparatively empty compound. First impressions of Cowra were
that the security was much tighter and there was much more barbed wire around
the fences.[67] It was
barren and bleak to say the least, devoid of trees and deathly dull. Michel
Foucault would not even have even visited here.
The
prison camp consisted of dozens of timber huts set in a barbed wire compound in
a vast, flat plain. The strategically placed guard towers and sporadic spread
of trees were all that stood between him and the horizon. Nearby, the pleasant
middle-sized town of Cowra minded its own business.
Tadeo
settled into life within the compound and witnessed the arrival of more and
more Japanese prisoners. When the new Japanese arrived, they were told they
would be living in B compound that was solely for them. An interpreter would
introduce them to Tadeo and the compound and tell them about the rules.[68]
“Today
each of you will be issued with a uniform, a greycoat, five woollen blankets, a
mattress and cooking utensils.” The interpreter then beckoned to a compact,
rather handsome Japanese man with a scar over his left eye. This man had an air
of capability and it seemed somehow appropriate that his uniform fitted snugly.
“This
is Sergeant Pilot Tadeo Minami, he is your camp leader he will direct you to
your huts and explain the routine of the camp”.[69]
“What
are the Italians like, do you mix with them much?” asked a new prisoner.
“They’re
different,” said Tadeo.
“So
different from us, but they’re pleasant enough. We’re not supposed to mix with
them, but some of our people do. You know they even like it here. They go out
to work on the farms, and if they come back and find the gate closed they
become upset. They don’t want to be locked out."[70]
When
later prisoners arrived, they invariably gravitated to the small gang led by
Tadeo. He enjoyed a certain status, not only because he was the longest serving
prisoner, but also because he got food for his comrades. He would tell the
authorities that he wanted fish and the next day it would arrive. The Australians
had tried to make them settle for potatoes and bread with their meat, but Tadeo
said that they could not exist without good polished rice. Rice then became
plentiful and they got bread and biscuits too.[71]
Tadeo’s
group’s hegemony went unchallenged. They had money and coupons that allowed
then to buy small amenities. They bought their own cigarettes, shared quarters
that seemed marginally more comfortable, owned a few changes of clothes, and
managed to extract extra food rations. There was an aura of exclusivity about
them. They stayed separate, aloof, and occasionally indulged in a kind of
patronage of others.
Tadeo
was generally respected by the whole compound, but some of his fellow airmen
seemed to consider themselves of a higher caste than the soldiers. It was an
unhealthy situation. The soldiers soon came to have numerical superiority, but
authority remained with the small group of airmen.
Arguments
broke out between the two groups, and finally a deputation was sent to Tadeo.
They told him that the internal control of the compound could no longer remain
with an airman, simply because he had been in captivity longer than the others.
Tadeo, sensing that violence would almost certainly occur if he refused, agreed
that an election should be held.[72]
The
result was a compromise. Kanazawa,
who had never sought the appointment but possessed toughness, became the camp
leader. Tadeo retained high status because he was the former leader, and
because he was the only senior prisoner who spoke English. Real power remained
with those people who could control communication with the enemy.[73]
Kanazawa’s
job was not an easy one. There were now 1100 Japanese prisoners and all had a
burning sense of shame. Any form of surrender to an enemy was abhorrent under the
intricate code that governed their behaviour. To be captured by an enemy was to
bring to themselves, and to their families, a dimension of shame that was so
huge as to be unendurable. The code was called bushido and had evolved over centuries of military careers.
Likewise, a form of ritual suicide whose purpose was to avoid capture had the
name setsujuko. It had existed since
the twelfth century.[74]
August 1944.
Tadeo
had now been at Cowra for two and a half years and the Australians had decided
to split up the Japanese prisoners. Some armed guards visited the mess hut in
which Kanazawa was eating.
“Be
ready to come to the major’s office at two o’clock “, they told the Japanese
leader. “And bring with you Mister Kojima
and Mister Tadeo Minami”.
Promptly
at 2.00 p.m., Kanazawa, Kojima and Tadeo were marched under escort out of the
compound gates and into the office of Major Ramsay. Then Ramsay told the three
men:
“We
are sending seven hundred of the men from your compound to another camp. We
want them ready to move after breakfast on Monday".
For
a moment none of the Japanese spoke. Then Tadeo began. “Why...what’s it all
about?”
“We
are not going to have any discussion about the thing”, said Ramsay brusquely.[75]
Tadeo
looked through the list of who was to go:
“Very
bad business...why can’t we all go?”[76]
After
the meeting the prisoners returned to the exercise yard. The list that Tadeo
read said that all prisoners below the rank of lance-corporal were to be sent.
News of this sent shock-waves through the Japanese compound. Immediately after
the 4.30 p.m. parade, Kanazawa gestured to a senior prisoner Oleg Negervich who then joined him.[77]
“It’s
true, is it?” Kanazawa asked. “He really intends to separate us according to
rank?”
“It’s
true,” replied Oleg.
“Can
you ask the major to reconsider the decision to have the NCO’s transferred to
the other camp with the privates?”
Oleg
replied: “I’ve already asked him once- after the conference today. Major Ramsay
tells me it’s not in his power. The instructions have come from somewhere else.
It’s his job to carry them out".
“Are
you absolutely sure?” asked Kanazawa.
“It’s
not possible. It’s an order and that’s final” he replied.
Kanazawa
looked grim. “We’ve had a conference already about this. We don’t like it.
We’ll have to make more talks. We’ll have to do something”.
“There’s
nothing you can do,” said Oleg, “except start preparing for the change. There’s
the theatrical gear all sorts of things that will have to be moved”.[78]
Within
minutes of the conversation with Oleg, Kanazawa, Tadeo, Kojima, and a trusted
friend, Eiichi Yamakawa, found a
quiet spot in Kanazawa’s hut.
“Would
you mind watching the door and seeing we’re not disturbed?” Kanazawa asked.
Eiichi
nodded and went outside.
They
then talked about the realisation that had suddenly been thrust upon them. If
the plan they had so tirelessly prepared was going to eventuate, it would have
to be now. Since almost the very first day of Kanazawa’s arrival, there had
been talk of a mass escape. He had heard the escape plan discussed almost every
night.[79]
“Now,”
he said, “it looks as if we have to do the thing quickly”.
The
others nodded. There wasn’t any debate. Yamakawa was excited about the idea of
an imminent battle. The others were more subdued. They did not regard this as a
discussion about whether they would die. They were dead men in theory to their
families anyway.
Tadeo’s
family had been advised that he had been killed in battle. A funeral was held
in his town and a plaque erected in his memory. The tomb in the family
graveyard read “Died in Darwin, 19th February, 1942”.[80]
Kanazawa
gave the directions mechanically.
“We’ll
have to act fast,” he said. “Let’s get all the hut leaders together. We’ll need
to establish how they feel, and then they’ll have to put it to the men in their
huts."
Indicating
to Tadeo, he said “You better get a message to the officers. Tell them we’ll
probably move tonight.”
“Yes,”
said Tadeo. “We need directions. It would be wrong to act without approval.”
Kanazawa
interrupted. “Nonsense. No orders are necessary. This has to be on a personal
level. They wouldn’t want us to wait for orders from them. If we’re going to
go, we know what we have to do. We’ve talked about it often enough. This is
simply a courtesy."
Kojima
spoke for the first time. “I don’t think it will work. I think it will be
futile.”
Kanazawa
swung towards him. “What’s that you’re saying? Don’t you think that we should
do it, and quickly?”
Kojima
nodded. “Yes I know we have to do it. It is inevitable. But I know that it will
simply give us a manner of dying.”
“True”,
said Tadeo. “It is a chance to die, and that’s probably all it is. But we can
still make some sort of fight of it. We can still take some of them with us,
and maybe we’ll do a lot better than that.”[81]
Kanazawa
replied. “You’ll have the honour of signalling the attack with the bugle.
Just one strong blast. Major Ramsay will be
sorry he ever issued the thing. Now, do they all know what the targets are?”[82]
“I
think so,” said Tadeo. We’re attacking the most vital points, we’re trying to
get to our officers, and we have people who’ll get clear of the camp. If
everything goes perfectly, we have a chance of overthrowing this entire camp,
and then taking over the other military camp across the way. If it doesn’t
we’ll still give a good account.”[83]
The End of
the World[84]
The
Northern Territory: an almost uninhabitable expanse of millions of square
kilometres of desert, craggy red escarpments, weathered hillocks, monsoon
forests, and immense eucalypt savannah.[85]
Battered by periodic cyclones, an oppressive climate and poor soils, Darwin had
none of the prosperity of the gentler southeast of Australia. It grew almost by
accident as a government administration post.[86]
It is an ugly settlement of corrugated iron shacks and dusty muddy streets.
A
dog strutted up the street, stopped, sniffed a lamp post, pissed on it, and
then continued on his journey.
Darwin
is a wild sort of a place. There was a bad riot just recently. There was a riot
nearly all the time at the Don Hotel. Bob Heppell is just eighteen years old
and had arrived in Darwin in October to join an Anti-Aircraft Battery. He soon
learnt that it was a lot safer to drink at The
Vic. The Vic was more genteel, although not much more.
He
patronised the gambling games at Cavenagh street. “These would be rooms filled
with men and smoke, people were shoulder to shoulder, and the place stunk of
sweat, grog and stale smoke. There was heaps of money here. In fact, the place
was awash with money, mostly from contractors who were building the defence
installations...if you won money the bouncers would escort you back to camp-
-there was a fair chance you would get rolled otherwise."[87]
It
was five minutes to ten and Walker was still in bed. Walker was a gruff but
amiable communist who was as militant in fighting for the rights of workers as
anyone had a right to be.[88]
As a wharf labourer, he had worked the day shift the previous day. It was his
duty, before knock-off time, to find out how many gangs were wanted for the
same shift on the following day. He asked the wharf supervisor, Reginald
Erickson, and he was told that five would be enough.[89]
He
was delighted as it meant that he would not have to start work again until late
tomorrow. He had “always had a constitutional reluctance to get out of bed in
the morning.”[90]
Commander
Fuchida led the squadron to the east, crossed the coast, and then flew inland
before turning so that he could approach Darwin from the southeast. It had been
planned this way so the bombers would already be heading back to the carriers
when the bombs fell.[91]
Jimmy
Yuen was one of the six Chinese wharfies. Yuen was twenty-four years old and
was the son of a storekeeper father who had migrated to The Northern Territory
last century. He had worked in Fong Yuen Kee’s store in Darwin’s Chinatown, but
the recent evacuation of women and children from the town had created
unemployment for shop assistants. He then transferred to the wharf.[92]
Jimmy
lived with five of the six Chinese men who worked on the wharf. He had cooked a
breakfast of chicken soup for himself and his house mates. Jimmy rode his
bicycle to work and by eight o’clock, he was helping unload the timber from The Barossa.[93]
The
postmaster, Hurtle Clifford Bald, sat in an office so badly lit that he kept a
window and door open. Hurtle had come north from South Australia where he had
served as a postmaster at Kadina, Port Lincoln and Glenelg. His good work had
brought him under official notice and he was promoted to the Darwin office. His
wife, Alice, and daughter Iris, aged nineteen, went with him. He took a keen
interest in the town’s social and sporting life.[94]
It
was now 9.57 and Hajime could see the hull of The Neptuna lying deep in the water, moored to the delicate arm of
the wharf.
There
were more than 10,000 people in and around Darwin and most did not want to be
there.[95]
“It seemed a very isolated and unreal sort of a place. It was just so different
from the rest of Australia. Many men couldn’t believe they were still in the
same country."[96]
Daily life for thousands of servicemen in the Northern Territory was a dull
routine unbroken by the spice usually associated with service overseas.[97]
The
anxiety in Darwin was high as there was great uncertainty as to who was winning
the war. There was only one brigade in Darwin as the 6th, 7th, and 9th
Divisions were fighting in distant North Africa, and the 8th Division had been
captured in Singapore.[98]
In
just three months the Japanese had brushed aside with astonishing ease the
French, British and Dutch empires in South East Asia. They had also ejected the
Americans from the Philippines. Hundreds of years of colonialism had been ended
in less than 80 days by an Asian power.[99]
There
had been months of propaganda and continual bad news from the war front. Media
reports told about Japanese atrocities; about the looting, raping, and killing
of unarmed people in the countries they had occupied. Most believed it was only
a matter of hours before they landed on Darwin’s virgin shores.
Australia
was vulnerable and the Prime Minister, John Curtin, had recently said in the
press that:
Without
inhibitions of any kind I make it quite clear that Australia looks to America,
free from any pangs to our traditional links with the United kingdom. We know
the problems the United Kingdom faces. We know the constant threat of invasion.
We know the dangers of dispersal of strength. But we know that Australia can
fall and that Britain can hang on. We are therefore determined that Australia
shall not fall.[100]
From
the south, in perfect formation, the planes came. The town heard the awful roar
of almost two hundred planes bearing down on them.
The
nation was in panic. There was a strong demand for the establishment of a
people’s army. Public opinion moved far ahead of the government and in a score
of cities and towns across Australia, people organised armed groups of civil
guards, trained by World War I veterans. Booklets on guerrilla warfare became
immensely popular, while newspapers in the major cities advocated full
resistance to the invader. They encouraged men and women to join their local
militias.[101]
Dudly
Rose fired the first shots; “My men were at their posts and in action before
the air raid sirens sounded. We had 3.7 inch anti-aircraft guns, and Lewis
machine guns for low flying aircraft...We fired, but were well below the target
most of the time. Our equipment really wasn’t up to it. We weren’t ready for
the fact that the Japs were flying very high.”[102]
The
RAAF officers were still discussing the possibility that they were not Japanese
aircraft at all.[103]
The station Commander, Wing Commander Griffith, heard the machine gun fire and
looked out of the Operations Room window almost straight down the sights of a
Zero. He ordered the alarm to be sounded.[104]
At
the post office, several people stood in the doorway watching the sun glint on
the silver aircraft that were approaching the town. Not yet hearing the alarm
someone said, “Thank God the Yanks have got here at last.” They were still
staring at them when the first bombs dropped: “like one big raindrop as the sun
caught them- -a flash and then nothing more". Seconds later there was an
explosion from the direction of the wharf and simultaneously the sirens began
to wail over the town.[105]
Instead
of being at the wharf, Walker, true to his promise, was still in bed in a
bungalow behind the Victoria hotel. The town’s main air-raid siren cried out
from the water tower nearby. “Although in bed I was not asleep, the siren would
up to a peak of noise. People in the town could hear it but they couldn’t have
done so on the wharf. They must have had bombs before they heard the
alarm."[106]
“I
get out of bed and walked out to the edge of the veranda. I could not see planes
but I could hear bombs falling and anti-aircraft fire...In that time some of
them fell fairly close and some of the debris fell on the roof of the place I
was in and one piece knocked a whole about two feet big in the roof. I could
hear them screaming down towards the harbour. I could not go outside because
the shots from the anti-aircraft guns were falling around”.[107]
The
first bomb hit the metal bridge connecting the wharf to the shore and tore an
oil pipe, allowing its contents to gush into the harbour. The ship’s surgeon,
John Hyde, was in the surgery when a second bomb hit The Neptuna’s forecastle and another landed just forward of the
smoking room. “Machine gun fire thudded into port and starboard sides”. The
surgeon turned to see the collapsing deck pin a cadet down. He rushed to his
aid. He asked how he was but the cadet only groaned and made no reply”.[108]
The
wharf labourers had knocked off for the ten o’clock smoke’o and were bunched on
the jetty. A bomb hit, hurled a locomotive into the sea, and took away an
entire span. It took the workers with it.[109]
In
the darkness inside The Neptuna, some
Chinese crewmen rushed by John Hyde, stepping over the cadet. “When they
reached the deck one of the crewmen dropped a rope from the side, which the
others proceeded to climb into the sea. A cry of “the wharf”, “the wharf”, was
heard from the Chinese as they scrambled over the ships rails in desperation to
reach the wharf”.[110]
“Flames,
which had started forward, now spread aft, and in view of the cargo of depth charges
in No.4, further delay was dangerous. The strong swimmers amongst the engineers
gave up their life-belts to the non-swimmers and dived into the sea. Most
fortunately the tide was ebbing and carried them all the way from the burning
wharf and from The Barossa which was burning at inner
berth.” Pushing the cadet along in the sea, John Hyde suddenly encountered the
oil. “This made vision difficult, but a launch in which were the Chief Engineer
and the 3rd Officer picked us up. Whilst proceeding to The Platapus, a tremendous explosion occurred and The Neptuna blew up”. [111]
Lumps
of red-hot metal showered down on the other ships and entire masts were tossed
like match-sticks for hundreds of metres[112].
Cadet
John Rothery was chipping paint below decks when the first bomb hit The Neptuna with a violent explosion. He
had heard no alarm or aircraft and he hurried up on deck to see what had
happened. He “stared in disbelief at a sky now filled with aircraft marked with
the red rising sun of Japan. In the saloon, I found many of the 125 crew
gathered together for protection and they shouted to me to get down on the
floor. But either premonition or claustrophobia drove me outside again after
only a few minutes and this split second decision saved my life. As I came out
on deck I saw a dive-bomber appear from behind a cloud and scream across the
water toward The Neptuna. I watched
mesmerised as its bomb came away and crashed through the bridge and into the
saloon that I had just left. Every man in there, more than thirty of them were
killed”.[113]
George
Tye “came up on deck.[and]..jumped over the side of the wharf into the water
with a lot of others, wharfies and ship’s crew...Then the dive bombers came at
us, Thank God they were straight...they hit what they wanted. I was swimming
under the wharf as bombs were hitting it and the ships alongside. I made my way
towards the elbow of the wharf. That had already been hit, and the shed where
man had gathered for smoke’o, and it was all gone...just disappeared”[114]
Gus
Brown was blown into the water by the blast that wrecked the recreation shed.
Tye saw him swimming back towards the wharf, apparently uninjured. Then another
bomb hit the decking, tearing out several huge planks as though they were
splinters. One fell on Browns head, killing him instantly.[115]
Yuen
had knocked-off for morning smoke-oh with the other wharfies, but he did not go
to the shed directly. Instead he crossed the wharf and began to talk to Foo Hee, the Chinese chief cook from The Neptuna. He did not know that Darwin
was about to be attacked until a bomb burst in the water nearby. He: “looked
up, saw the planes, and realised that his mates were already running, then a
bomb hit the right-angle of the wharf. A locomotive, six railway trucks and
several man were hurled into the sea”.[116]
“I
ran off with the purser, Joe Floyd. We went to the seaward end of the wharf
because the landward end was cut. Some badly wounded men were struggling around
in the water. Floyd and I rolled a dozen empty petrol drums over the side to
help those who seemed to be in trouble.”[117]
They
then dived together, ten feet from the top of the wharf to the water. The tide
was running outwards. Yuen and Floyd swam together for a while but then parted
company. Yuen struck out for open water and the boom wharf two hundred yards
away; trying to get around patches of blazing oil.[118]
Yuen,
shocked and covered in oil, made it to the sand at the edge of the water.
“Although I was a few hundred yards away the explosion lifted me two feet off
the ground, like I was a feather, and dropped me back with a splash in the
water. I thought my ribs had been cracked. Parts of The Neptuna were coming to earth for several minutes. It was
terrible...terrible...these huge planks and masts thrown hundreds of feet like match-sticks...they
landed on the foreshore and on the town and on the ships...hundreds of yards
away.”[119]
The
next wave of bombers concentrated on the post office complex and nearby
administrative offices, which included the Administrator’s residence and police
station.
Hurtle
Clifford Bald, his wife and daughter and several other people, hurried out to
the postmaster’s garden. A hole in the ground covered with two halves of a
corrugated iron water tank, is how Hurtle had built his shelter. The nine
people huddled underneath. [120]
Constable
Darken heard the bombing and rushed out of the station: “The ear-splitting
noise and the air seemed to crowd in and make it hard to breath. (The
bomb)..had collected Baldy’s shelter and we came across a gruesome sight. They
were all beyond assistance and the girls were all in a heap. Harry identified
them. The girls. Baldy, Bill, no it’s old Bro’, Oh God, the Girls!”[121]
“I
noticed Mr. Bald- -I have always known him as that--was more or less in a
sitting position on top, partly covered by dirt. He was in a terribly battered
condition, most of his bones, his arms and legs--seemed to be broken”.
“I
also recognised his daughter, she had part of her head blown away. I also
recognised Mrs. Young. The top of Mrs. Young’s head was blown off”.
“Someone
was thrown into a tree”.[122]
Pilots
laughed while spreading death, gesturing crudely from the security of their
cockpits and cabins, searching for opposition that might allow them, as they
craved, to prove their superior skills.[123]
Darwin’s
Administrator, C.L.A. Abbott, was in his office, “where I had arranged to see
the accountant, Mr. Fyson, to make arrangements to get him away with his staff
that day, if possible. We talked about the arrangements till nearly ten
o’clock, when suddenly the alarm sirens sounded. I told him to go back to his
office in case it was a genuine raid, and see that his stuff was all right. He
set off, but was caught in the blast of a bomb and flung to the ground”.
“...my
wife and her servants had come across from the house with their small bags of
necessities to take shelter under the office. My wife and the staff settled
themselves in the shelter. Elsie, one of the half-caste maids, was a tall, strapping
girl, and the other, Daisy, was very thin. Then came the Russian cook, with her
husband, who was my driver and messenger. Finally there was the old half-caste
gardener, Billy, and Leo, the native boy who swept the verandas. I directed
them to go as far under the building as possible, and then I joined them”.
Then...“I
heard the unmistakable sound of a bomb bursting, and the whole structure seemed
to rise into the air. I could see the concrete floor above us lift as the
reinforced pillars snapped like dry sticks, then it settled down, and there was
a crash and rumble of falling masonry and grey dust everywhere. The building
had received a direct hit. It completely obliterated one-half of the office, making
a crater twenty feet deep and thirty feet wide. The office walls and floor were
blown in and a huge block of concrete fell on the half-caste girl, Daisy, burying
her from the head to the waist and killing her instantly. The black boy was
pinned by one leg and was calling out in fright. We would have all been killed
by the collapsing concrete floor but for the steel door of the strong-room, which
had swung open in the blast and jammed under the corner of the floor, holding
it up.[124]
The
Administrator’s wife, Mrs. Hilda Abbott, “had just got into place when there
came the most terrific, incalculable noise. Mortar, concrete, grit, fell, bruising
and blinding us. The whole structure cracked and moved down over us and the
most terrible screams filled the air. I rushed towards the opening where the
pillars had been the highest., in that instant knowing we would all be crushed
under the breaking and moving concrete roof above us...It’s Coming down! I
screamed. The noise was so terrific that nothing was distinguishable- -our
guns, their guns, bombs- -it was all just enormous and terrible”.[125]
Darwin
and the harbour were an inferno. The anti-aircraft guns were firing, but had
little or no effect. The smoke of burning oil billowed high into the sky, tinged
with the orange flashes as the bombs found their targets. The oil tanker, The British Motorist, was heeling over, ready
to capsize. Near to this, The Zealander was going down by the stern.
There was an incessant scream of Japanese dive-bombers as they zoomed along the
foreshores, machine-gunning the wharf and the men struggling in the water.[126]
Hajime
flew away believing that the enemy’s fighting spirit was feeble.
The Island
Hajime
could not believe that the enemy had not launched one plane in its defence.
Japan seemed unstoppable. Nothing could stand in the way of its divine destiny.
The rightful success of his first mission had made Hajime somewhat reflective.
Just imagine returning to Kagawa
prefecture with the honour he had bestowed upon his family? Just imagine the
virility of Japan, its wealth and the pride of slaughtering the barbarians who
dared to question “the way of the gods”?[127]
He was pure and Japan was pure. Japan had worked so hard to clean the world of
its filth.
From
somewhere below a fluke shot fired from a 303” rifle pierced his oil tank.[128]
Oil
spurted out...but Darwin was then long gone...Now all that remained was the
journey home.
Melville
Island was beneath him. This was the last piece of land that he would see
before The Hiryu...But suddenly the
plane jolted, the propeller sheared off and the drone was no longer. The motor
had ceased.[129]
The
plane started to plummet...Gravity tore at his body..
He
looked to the island,....but there was nowhere to land....
The
trees were so dense,....but then the valley![130]
The
plane was rapidly descending and the trees loomed up ahead.
He
nosed his fighter into a shallow glide and kept his wheels retracted to prevent
them striking an obstruction.[131]
Several
small trees and rocks smash at the wings. The plane skidded and slid to a halt.
Hajime was flung forward. The gun-sight inflicted a deep cut above his left
eye.[132]
He
was dazed, but he was still alive! His face hurt like hell, but he was still alive! He had struck his face on
the gun sight; the blood blurred his vision in his right eye. He climbed out of
the shattered cockpit and down over the crippled wings of his plane. High above
the members of his flight watched, whilst Hajime wandered into the bush.[133]
Hajime
trudged aimlessly through the deathly isolated, dry, and inhospitable
wilderness. Day turned into night and night into day. In his pocket he still
had the photo of the shrine; he still had a prayer.[134]
He would be protected by the gods.
He
wandered on a journey that would not end. Is this where his life had led him?
Is this where his life would end? He had to avoid the shame of capture. He
would not let the barbarians take him alive.
The
island was home to many different tribes of Aborigines. They were known
collectively as the Tiwi Tribe.[135]
In the 1920s and 30s, there had been numerous reports that Aborigines had had
violent clashes with Japanese pearlers. The Japanese were considered the best
divers and several hundred of them were employed by the local industry. The
Japanese pearlers were not allowed to go ashore on the coast of Arnhem Land or
the islands. But they often did. There were several slaughters.[136]
Hajime
made a frightful discovery.
He
had stumbled upon a camp of young aboriginal women and children. They ran and
scattered as the Japanese man stood in bewilderment.
I
was the first one to see the Japanee man. My friends were out looking for honey
nest. I was minding all the babies. The babies were all playing and when one
boy see the Japanee he yelled. Then that Japanee came to me and he salute me. I
got properly big fright, all right. I ran away from the Japanee man. He picked
up a baby and went into the bush with him. I found my friends and went looking
for that Japanee man and we found him with that baby in his arms. One of my
friends went to him and took her baby away from him. He asked if the baby
belongest to her, and he put his hand in his pocket and took out a watch and
gave it to the boy. We asked him where are all his friends, but he didn’t
answer. That night we hide in the bush and that Japanee man he sleepest alone.
Next day our men came back and Matthias and Louis find that man and take him to
the mission station.[137]
Hajime
returned to the bush...and waited. At dusk, Matthius
and his party saw Hajime sitting by a fire preparing a meal. The Aborigines
surrounded him and Matthius and Barney seized and disarmed him.[138]
I
was returning to the camp but found the women had left the place. That’s funny,
I think. Then suddenly I hear a noise and I saw this strange man. He had a big
overall on and inside these I could see a big lump that told me it was a
revolver. “Japanee”, I said to my friends, so we moved out into the thick bush
around the camp and waited for him to come up. I crept up behind a tree and
when he passed I put the handle of a tomahawk in his back and I say “hands up!”
That Japanee man was amazed when he saw so many native people. He put his hands
up. We took off his clothing, everything except his underpants, and I’ve got
his revolver, also a map.[139]
I
made him sit down in camp. I made a big fire. He said “Merica” and shook his
head and held up his hands. Might be, I think, he does not like America.
Alright
we start sleep, me on one side, Jap other. He woke up middle night. He point me
to lie down go to sleep. I keep out from fire, stay out cold place; might be, I
think, if he go to sleep, he run away. I think too he got properly ugly face. I
cannot understand him what he say. Morning time I give him boots. I told other
men. We start to take him to the mission. I make him walk behind Three Feller
and Young Tiger with stick. Big Barney walk behind him with big stick. I walk
side with revolver and knife. I took bullets out and make Jap show me how to
work gun. Then I fire near his feet; he jump. We cross creek; we all drink, Jap
he drink too. We walk and come out end of Melville Island--at Paru opposite
Bathurst Island Mission. We see big American plane broken on aerodrome. Jap he
try to get away. He draw star on ground. He made sign that he did not want to
go across water. Three Feller mind him. I go down alonga beach. I sing out four
times “Canoe”. Nobody answer me. I shot one bullet in salt water. Everyone know
now. Paul Kerinaiua, he bring that canoe alright. Canoe middle water, I go
back. I told him: “we go”. He did not move. I point gun; he came now. I go
behind alright. We put him in canoe. Paul paddled. I held gun. I saw Australian
Sergeant run to a tree and make ready 303 rifle. I sing out to Frank: “you tell
Sarge no more come out yet”[140].
Whilst
being taken across Apsley Straight to Bathurst Island, the Aborigines feared
that Hajime would commit suicide by throwing himself to the crocodiles.
Matthias told him that there were no white people left on the island, however
he sent a runner ahead to tell RAAF guards on the opposite bank. He told them to
keep out of sight until Hajime was safely on the shore.[141]
We
get longa shore. He (Sergeant Les Powell) said to Jap: “put your hands up”. Jap
see no Sarge. He no understand what he say. Now Jap turn. “Hey”, Sergeant say,
“put up your hands”. Jap look frighten, he salute, bend low four times. Sarge
he know me from helping put mines in Aerodrome. “Oh”, he says, “you Matthias”.
He give me rifle, I give revolver. I watch Jap; Sarge fire revolver near Jap.
We
came to RAAF place. Might be five or six Australians there. Wireless him there.
Jap put inside on chair, he get tucker, big mob number one. Soldiers talk about
Zero plane. I put camera, map cloth on table then go and sit outside. I could
not understand. I thought they would shoot him for Jap humbugging Darwin and
mission. Father. McGrath rides up on horse; he said in my language
“Yirringkirityiri”. That is, “he got properly ugly face”. I have a good laugh.
Sergeant
Les Powell, an Army engineer sent to Bathurst Island earlier that month to
service equipment, saw Hajime being brought across Apsley Straight by canoe.
After being put ashore he disarmed him of a .32” automatic which had several
bullets in the magazine. [142]
Powell and some others then took Hajime
to their quarters. They fixed his wounds, fed him and removed his boots and
coveralls.[143]
A
message was sent to Darwin informing them of Hajime’s capture and requesting an
aircraft. The aircraft did not come until two days later.
At
night time they sat around the table interrogating him in Pidgin English.
Powell liked Hajime and thought he was “quite a nice fellow.”[144]
They ate with him, slept in the same room and even made Hajime do the washing
up.[145]
Five
days after the Darwin bombing, a plane was sent to Bathurst Island to pick up
Hajime and Brother Quinn.[146]
Brother Quinn from the Catholic mission had been summoned to appear before a
Royal Commission. The Commission was being held to investigate the effect on
Darwin of the raid, with the view of implementing preventative measures.[147]
Justice Lowe was to be sent from Melbourne. The hearing was due to start within
two weeks.
Hajime
was flown to the RAAF headquarters in Darwin to be officially interrogated with
an interpreter present. His fate was to become Australia’s first Prisoner Of
War.[148]
The
interrogation commenced with the soldiers asking Hajime about who he was and
from where he had come.[149]
“What
is Your Name?” they asked.
“Tadeo
Minami” said Hajime.
“What
is your rank?”
“Sergeant,
Air Gunner”.[150]
“What
is your unit?”
“Murrakami
Air unit”.
“What
is your age?”
“I
am 22, born on the 11th of December.”
“Could
you tell us how you arrived on Melville Island?”
“I
had been in Ambon air base in The Dutch East Indies as the member of the crew
of a high level bomber. We received orders on the 19th of February to proceed
to Darwin. On the way to Darwin, our plane caught fire before we had reached
our destination. I bailed out, swum a mile to the shores of Bathurst Island. I
wandered around for two or three days until I was taken by an Aboriginal to the
aerodrome and made prisoner”.[151]
“Hajime”
talked easily, was unselfconscious and gave the impression of speaking the
truth as far as he knew it. His knowledge of his job, according to the
soldiers, was adequate; but his knowledge of and apparent interest in
extraneous matters practically nil. His interrogators, as far as their
experience allowed them to tell, considered this to be consistent with his
type- -a peasant farmer.[152]
“Where
did you receive your education and military training?” the soldiers asked.
“I
was educated at Osaki Technical School to middle standard. I
only finished one year ago. Since then I have had one year of flying training
including four months of infantry training. I am a conscript and was called up
when I was 20. I was put in air service because of my physique.”[153]
Hajime replied.
“Did you have machine gun practice?”
“Yes.
We had a fixed gun with ring and bead sight”.
“Where
did you go to high school?”
‘I
went to Kangawa High School and
graduated nine years ago”.
“What
about your family?”
“I
came from a peasant family and I did not like leaving what I considered to be
my job in life. However, it is something to be proud of to be in the army and I
have no dislikes about it.
“I
am looking forward to getting back to farming, that is why I did not pay much
attention to anything else beyond what I had to learn”.
“Do
you want to go back to Japan?”
“No,
I do not wish to be sent back to Japan. My friends will not want to have
anything to do with me. I have been taken prisoner and I will not be regarded
as a good character and I would not be able to get back into the army.”
“I
want to stay in Australia!”
“What
happened to your crew?”
“All
the other crew members were killed. I descended by parachute”.
“Do
you like War?”
“No.
Are you going to kill me?” ...
After
the interrogation the soldiers signed off the report with, “Statements appear
to be fairly reliable”.[154]
August, 1944.
With
one long blast of the bugle, Tadeo signalled the break-out. It was 1.55 a.m.
The prisoners whose job it was to attack the gates spilled out of their huts.
Seconds later, waves of Japanese shouting “banzai,
banzai” were charging across B compound in their prearranged directions.[155]
The
tailor’s shop erupted in flame, then a sleeping hut. Soon the whole core of the
compound was an inferno, with the wooden walls blazing and the fibro roofs
exploding in the heat like grenades. Nearly all the huts were now on fire with
the prisoners who had elected to die still inside. [156].
I
felt I could hear (Tadeo) Minami’s bugle again, telling me the enemy would all
be killed. There were so many people running in front of me. At the beginning
of the charge there was plenty of glare from the floodlights, then darkness, then
the lights from a signal, red and yellow stripes across the sky, illuminating
everything. The bullets from the tower were slanting down strongly, like heavy
rain. In the middle many people fell down under the hail of bullets.....It was
hard for me to go forward because there were so many bodies. Sometimes I walked
across dead bodies, sometimes I pushed them aside. At last I reached the
officer’s gate, but here again there were many bodies. I huddled down.[157]
Tadeo
went down in a hail of fire from the rifles. With bullets in the chest he
regained his feet, but went down again. Finally he managed to crawl into a
drain. He was losing a lot of blood and his strength was draining. He propped
himself up, took a cigarette from his pocket and lit it. He had a puff, but he
was weakening fast and was in danger of lapsing into unconsciousness.
Tadeo
was found the following morning with a cigarette and knife beside him his
throat had been cut.[158]
The End
Appendix A. The use of Oral History.
Oral
history is used in numerous places throughout this thesis. The procedure used
in procuring the information from the two people I interviewed is listed below.
The other oral histories, predominately in the Cowra scene, I have taken from
secondary sources and the author’s own personal interviews. I cannot thus
ascertain the interview techniques used nor vouch for their accuracy beyond my
own comparative historical contextualisation.
The
oral descriptions used in the Darwin bombing scene are my most reliable. They
are sworn statements taken before the Lowe Royal Commission into the Bombing of
Darwin. The parameters of the inquiry were broad enough to allow the seventy
eyewitnesses to speak freely about what they had seen. And they most certainly
did.
W.K. Baum “Tips for Interviewers.” Oral History for the Local
Historical Society, Berkeley, University of California Press, 1971.pp.32-35
1:
An interview is not a dialogue. The whole point of the interview is to get the
narrator to tell his story. Limit
your own remarks to a few pleasantries to break the ice, then brief questions
to guide him along. It is not necessary to give him the details of your
great-grandmother’s trip in a covered wagon in order to get him to tell you
about his grandfather’s trip to California. Just say, “I understand your
grandfather came around the Horn to California. What did he tell you about the
trip?”
2:
Ask questions that require more of an answer than “yes” or “no”. Start with
“Why, How, Where, What kind of....” Instead of “Was Henry Miller a good boss?”
ask “What did the cowhands think of Henry Miller as a boss?”
3:
Ask one question at a time. Sometimes interviewers ask a series of questions
all at once. Probably the narrator will answer only the first or last one. You
will catch this kind of questioning when you listen through the tape after the
session and you can avoid it the next time.
4:
Ask brief questions. We all know the irrepressible speech-maker who, when
questions are called for at the end of a lecture, gets up and asks a five
minute question. It is unlikely that the narrator is so dull that it takes more
than a sentence or two for him to understand the question.
5:
Start with non-controversial questions; save the delicate questions, if there
are any, until you have become better acquainted. A good place to begin is with
the narrator’s youth and background.
6:
Don’t let periods of silence fluster you. Give your narrator a chance to think
of what he wants to add before you hustle him along with the next question.
Relax, write a few words on your note pad. The sure sign of a beginning
interviewer is a tape where every brief pause signals the next question.
7:
Don’t worry if your questions are not as beautifully phrased as you would like
them to be for posterity. A few fumbled questions will help put your narrator
at ease as he realises that you are not perfect and he need not worry if he
isn’t either. It is unnecessary to practise fumbling a few questions: most of
us are nervous enough to do that naturally.
8:
Don’t interrupt a good story because you have thought of a question, or because
your narrator is straying from the planned outline. If the information is
pertinent, let him go on, but jot down your question on your notepad as you
will remember to ask it later.
9:
If your narrator does stray into non-pertinent subjects (the most common
problems are to follow some family member’s children or to get into a series of
family medical problems), try to pull him back as quickly as possible. “Before
we move on. I’d like to find out how the closing of the mine in 1898 affected
your family’s finances. Do you remember that?”
10:
It is often hard for a narrator to describe persons. An easy way to begin is to
ask him to describe the person's appearance. From there, the narrator is more
likely to move into character description.
11:
Interviewing is one time where a negative approach is more effective than a
positive one. Ask about the negative aspects of a situation. For example, in
asking about a person, do not begin with a glowing description of him. “I know
the mayor was a very generous and wise person. Did you find him so?” Few
narrators will quarrel with a statement like that even though they may have
found the mayor a disagreeable person. You will get a more lively answer if you
start out in the negative. “Despite the mayor’s reputation for good works, I
hear he was a very difficult man for his immediate employees to get along
with.” If your narrator admired the mayor greatly, he will spring to his
defence with an apt illustration of why your statement is wrong. If he did find
him hard to get along with, your remark has given him a chance to illustrate
some of the mayor’s more unpleasant characteristics.
12:
Try to establish at every important point in the story where the narrator was
or what his role was in this event, in order to indicate how much is
eye-witness information and how much is based on reports of others. “Where were
you at the time of the mine disaster?” “Did you talk to any of the survivors
later?” “Did their accounts differ in any way from the newspaper accounts of
what happened?” Work around these questions carefully or you can appear to be
doubting the accuracy of the narrator’s account.
13:
Do not challenge accounts you think may be inaccurate, try to develop as much
information as possible that can be used by later researchers in establishing
what probably happened. Your narrator may be telling you quite accurately what
he saw. As Walter Lord explained when describing his interviews of the Titanic, “Every lady I interviewed had
left the sinking ship in the last lifeboat. As I later found out from studying
the placement of the lifeboats, no group of lifeboats was in view of another
and each lady probably was in the last lifeboat she could see leaving the ship”
14:
Do tactfully point out to your narrator that there is a different account of
what he is describing, if there is. Start out “I have heard....” or “I have
read....” This is not a challenge to his account,. but rather an opportunity
for him to bring up further evidence to refute the opposing view, or to explain
how that view was established, or to temper what he has already said. If done
skilfully, some of your best information can come from this juxtaposition of
different accounts.
15:
Try to avoid “off the record” information- -the times when your narrator asks
you to turn off the recorder while he tells you a good story. Ask him to let
you record the whole thing and promise that you will erase that portion if he
asks you after further consideration. You may have to erase it later, or he may
not tell you the story at all, but once you allow “off the record” stories, he
may continue with more and more and you will end up with no recorded interview
at all. “Off the record” information is only useful if you yourself are
researching a subject and this is the only way you can get the information. It
has no value if your purpose is to collect information for later use by other
researchers.
16:
Don’t switch the recorder off and on. It is much better to waste a little tape
on irrelevant material than to call attention to the tape recorder by a
constant on-off operation. For this reason, I do not recommend the stop-start
switches available on some mikes. If your mike has such a switch, tape it to
“on” to avoid missing material--then forget it. Of course you can turn off the
recorder if the telephone rings or someone interrupts your session.
17:
Interviews usually work out better if there is no one present except the
narrator and the interviewer. Sometimes two or more narrators can be
successfully recorded, but usually each one of them would have been better
alone.
18:
Do end the interview at a reasonable time. An hour and half is probably
maximum. First, you must protect your narrator against over-fatigue; second, you
may become tired even if he does not. Some narrators tell you very frankly if
they are tired, or their wives [or husbands] will. Otherwise, you must plead
fatigue, another appointment, or no more tape.
19:
Do not use the interview to show off your own knowledge, vocabulary, charm, or
other abilities. Good interviewers do not shine; only their interviews do.
Appendix B: Was Hajime Well
Connected?
One
of the most important contacts for research was Mr. John Haslett, an
“independent amateur Historian” in Darwin. He told me the outline of the story
and directed me to the sources that he knew existed. John Haslett is the
curator of The Aviation Historical Society
of The Northern Territory’s Darwin museum. He retrieved “Hajime’s” plane
from Melville Island in 1970 and had it taken to the Darwin museum for
restoration and display.
In
the following letter note that he claims that he was told in 1973 by a Japanese
student/journalist that:
“Hajime
Toyashima” gave a false name and claimed to be a seaplane crew member when he
was taken into custody."
I
am not sure how the student/journalist could have known this because in 1973, the
intelligence report I used in Canberra entitled “Tadeo Minimi” had not yet been
made available to the public. (There was a thirty year access restriction.)
Hajime
Toyashima may have been the pilot of the Zero that crashed on Melville Island, and
this could be proven by Japanese archival research. But how would this
researcher have known what name a pilot would have given to Australian
authorities if the documents were not yet available? And even if they were, how
do you make the links? This “student/journalist” may be the original person who
linked the “identity” of Hajime Toyashima to Tadeo Minimi. (Student and journalist, now there is a reliable
primary source.)
Dear
Craig,
Thanks
for your letter, of 18 September, which, I apologise sat in the pile since it
arrived here on 21 Sept.
Despite
an intensive search, I have not managed to find he record of my interview, with
a Japanese student/journalist in 1973, when he visited Darwin. --It was he, who
told me that Hajime Toyashima gave a false name and claimed to be a seaplane
crew member, when he was taken into custody.
It
is quite feasible that, having contributed to the conflagration at Darwin, a
couple of days previously, the prisoner would seek to disassociate himself from
that event, when he was captured.
Having
spoke to an elderly relative of the late Matthias Ngapiatulwai, at Melville
Island, there is no doubt in my mind that the prisoner was taken by canoe, to
the Catholic mission station at Bathurst Island, by Matthias. A missionary told
me of seeing the prisoner, being escorted onto a military transport aircraft, at
the Bathurst Island airstrip, by an Australian Sgt.
I
was also told that, to discourage any escape attempt, the prisoner’s flying
overalls and boots were taken from him.--This was confirmed to some degree, when
during 1992, overalls and boots, alleged to have been worn by Toyashima, were
loaned by the RAAF Museum, Point Cook, for the “Battle of Australia
Anniversary” exhibition at Darwin.
Although
certainly, Sgt. Les Powell was photographed, standing next to Toyashima (Toyashima
stripped to underwear and bandages), old blackfellas don’t tell lies, so I
would suggest the Sgt. Powell “captured” Toyashima, AFTER he was paddled across
Apsley Strait, from Melville to Bathurst Island, in Matthias' custody.
THURSDAY
05 OCTOBER! --More humble apologies, but unavoidable circumstances caused me to
be absent from Darwin.
In
view of the short time before your thesis is due;
Brother
John Pye was, I believe at Bathurst Island Mission, when Toyashima was
apprehended. --He published a book some years ago, which may contain details
relative to your research.--I inquired after Br. Pye and it seems that he may
now be living in retirement, at the Catholic retreat, at Kingswood, NSW. If so,
a phone call to that establishment in your locale, may give you direct access
to an eyewitness.
As
previously mentioned, Robert K. Piper and his wife Misako (who is of Japanese
Origin), meticulously researched documents relating to Japanese prisoner units
and personnel. I have lost contact with Bob Piper, since he ceased employment
at RAAF Historical Section, Canberra. --If he is still resident in Aust, he may
be listed in the Canberra phone directory or alternately, a call to RAAF Historical
(062-655223), may give some clue to his present whereabouts.
Obviously
you have read Douglas Lockwood’s Australia’s
Pearl Harbour pages 182-183 and accessed the records of Prisoner of War No.
PWJ11001, who allegedly died by his own hand, during the breakout from Cowra
detention camp, NSW, in August 1944.
At
your local reference library, Darwin’s
Air War, Darwin 1942 by Timothy
Hall and The Shadows Edge by Prof. Alan
Powell, would be worth a glance, if you have not already done so.
Do
not fall into the trap of listing Toyashima’s aircraft No. 5349, as “The first
Japanese aircraft shot down over Australia.” --The remains of this aircraft are
currently exhibited at Darwin Aviation Museum.
As
a result of my personal discussions with Robert. F. MacMahon, one of the
American pilots engaged in combat on 19/02/42 and anti-aircraft gunner W.T.
“Darky” Hudson, there is some question of timing when the first Japanese
aircraft was shot down, but, certainly, an aircraft shot down by an American
fighter pilot and the “Zero”, shot down by “Darky”, were destroyed BEFORE
Toyashima’s aircraft could have possibly travelled the 30 odd nautical miles
(50 KM), to its forced landing site on Melville Island.
Although
rather belated, I hope that the above details will help you to authenticate
your writings about Australian history.
Yours
sincerely
John.
M.Haslett
Collection
Custodian, Darwin 5th October, 1995.
Appendix C: Hajime is a figure whose ‘capture’
amounts to heroism.
This
is a copy of a letter that I obtained from Les Powell (the Sergeant who caught
“Hajime Toyashima” on Melville Island). It was written to Brother John Pye of
the Bathurst Island mission for his (unpublished) book, The Tiwi Islands. I am not sure of the date, but Mr. Powell said it
was about five years ago. I was lucky to stumble upon this letter as it turned
up on the desk of a curatorial assistant at The Australian War Memorial during
one of my research trips to Canberra. The War Memorial would not allow me to read
it as it had not yet been released for public research. At a later interview
with Mr. Powell himself, he was kind enough to give me a copy.
Mr.
Powell is in his mid seventies and his handwriting is not the best, so I have
“translated” the letter as best I could. His story is similar to the other
accounts that I have used, except for small details where he and the Aborigines
differ.
It
is interesting that Mr. Powell mentions that there were five other Japanese
prisoners captured within days of “Hajime Toyashima”. Five survived and the
Japanese prisoners claimed themselves that one of them was killed (they also
said that they were from a merchant ship that was sunk). These Japanese really
came from (as Mr. Powell says he was informed later by a Japanese television
documentary crew) a bomber downed during either the first or second raid on
Darwin. He notes this almost in passing in his letter. He also told me at our
later interview that no one seems to care about these prisoners. I suppose that
“number one” has more historical appeal.
Hajime
Toyashima apparently told Sergeant Powell, after he was captured by him, that
he was from a Zero. Why then would
“Hajime” lie at the subsequent official interrogation and say that he was from
a bomber that crashed? Is it quite possible that “Hajime Toyashima” used a
different name to “Tadeo Minimi” and that “Tadeo Minimi” was the crew member
from the bomber that the others claimed was killed?
I
asked Mr. Powell if he was he certain that Hajime Toyashima was Tadeo Minimi, one
of the leaders of the Cowra Breakout. He told me that he was “absolutely
certain”, although I am not quite sure how he knew. I suppose that this is one
of the so-called “objective” advantages of the historian. The participants do
not always have a privileged access to the knowledge of the events in which
they are involved. Often it is the historian, removed from the events, who is
in a better position to put together into a plausible whole the confused, disparate,
and sometimes contradictory accounts.
When
I visited Mr. Powell, he emerged with a huge suitcase full of articles, books, letters,
photos and even a personal interview from a documentary about the Cowra
breakout (this was by the Japanese television crew that had visited him). All
this material still did not convince me that the connection between Tadeo
Minimi and Hajime Toyashima could be proven. Most of the articles and the
documentary were fairly tabloid and gave few indications of how they reached
their conclusions.
It
dawned on me whilst at Mr.Powell’s house that capturing Hajime Toyashima, Australia’s
first Prisoner Of War, was probably this man’s greatest life achievement (after
all he is still being hassled by adventurous university students). The more
important the connections of “Hajime Toyashima” seem to later events, the more
important the story is for those who appropriate it (I was almost tempted
myself to try to prove that Hajime Toyashima was really John Curtin)! This
story makes good press because it stirs the popular imagination, but no one has
ever dared to question its truthfulness. Big fish for big boys or little fish
for little girls. This is Australian
history after all.
Another
important observation I made is that individual identity did not seem to be all
that crucial to Mr. Powell. He said “what does it matter” after he told me that
he was “absolutely certain” that Hajime Toyashima was a leader in the Cowra
Breakout. This appeared to me to be a somewhat indicative war-time view of the
Japanese people. The “yellow peril” and the “hordes” of “Asians” were usual
constructions of individual Asians and Asian cultures within the Australian
media. The Australian media, especially the commercial media, still makes vague
essentialisations about the two-thirds of the planet’s population that is
“Asia”.
Perhaps
Hajime Toyashima never really had an individual identity, but only represented
Japan and its political values. This is exactly how I constructed him in my
narrative, as Hajime was supposed to represent much more than “fluffy and fat
cotton”. I researched his individual identity as far as possible, but firmly
contextualised him as a war-time representative. This subaltern approach signifies that everyday people are just as
important in war-time (or anytime) as those who lay claim to an imperious
perspective.
This
is Les Powell’s story from the letter I discovered in the War Memorial, that I
was later personally given.
Brother
Pye,
The
following is a factual account of my part in the capture of the first enemy
prisoner taken on Aust. soil, also [?] more Japanese airmen from a crashed
bomber who came down off Melville Island.
I
arrived in Darwin on the 1st January 1942 with my unit 23 Fld. Coy. RAE. [?]
time later I was detached to P.2E. Hqs from there flown to Bathurst Island.
My
instructions were to assist in the mining of the airstrip, most of this work
was done by one of [?] officers with the help of the natives and two airforce
personnel who were stationed there, a Corporal Moore and [?] Elimore.
On
completion my instructions were to maintain the [?] and test for continuity
twice daily and in the event of a Japanese landing was to wait until the
aircraft landed then blow up the airstrip, making my way back to the mainland
best way possible. (Expendable no doubt)
On
the morning of the first air raid on Darwin 19-2-1942, we, that is Moore,
Elimore and myself heard the sound of many aircraft, on going outside and there
in the sky it seemed to us to be hundreds of planes heading in the direction of
Darwin.
We
then saw three Zeros break from their formation heading for us. Moore and
Elimore ran and climbed down a well, I grabbed my [?] kit and headed for my
firing point never got further than some cement. Laid there and watched the
Zeros make three [?] firing at the radio shack [?] in the mission where Father
McGrath had sent a warning to Darwin. (Also attacked a U.S. aircraft that was
standing on the airstrip. It had damaged a wing tip on landing some days
before.) [The Zeros] then returned to the formation heading south.
That
night we received a radio message from Darwin thanking us for the warning, later
we found out they had ignored it, great shame.
The
next day it was decided to shift the radio into the bush and Father McGrath was
going to close the mission sending the native girls and boys to Melville Island
this was carried out and that left myself and the RAAF [?] to our knowledge the
only people on the island.
We
carried out a routine Moore and Elimore stayed with radio during the day and I
at the firing point, at night returning to our quarters.
One
day about three or four days later, Moore and Elimore had left for the day. I
was preparing to go when three natives came running around to where I was, singing
out Japanese! Japanese! I grabbed my gear and took off [?] to the firing point,
the natives after me, they finally got through to me that there was only one
and he was across on Melville Island, I told them to bring him over. This they
refused to do unless I came down to the beach with my rifle as the Jap had a
gun. I went down and hid behind a tree or palm, they then brought him across as
he got out of the canoe I stepped out and told him to put his hands up, he did
after bowing I told one of the natives to take his pistol (a .32 automatic) and
hand it to me he then became a POW. No shots were fired and the pistol was
fully loaded.
I
took him around to our quarters and dispatched one of the natives to tell Moore
and Elimoore to come back as I had a Jap prisoner, they arrived some twenty
minutes later.
We
stripped the prisoner of his flying overalls and treated his wounds leaving his
underclothes on, I then took him outside and had Elimore take a photo with my
camera. I have read that the natives had done the above, not so. I think they
thought we had found the camera on him, so they included it in their story.
Moore
sent a message asking for a plane to take back the prisoner to the mainland
that came two days later.
Moore
suggested on consultation with me, we decided to give the credit to the natives
so we could ask Darwin for tobacco and food as we would have to rely on them in
the case of a Japanese landing. (My first mistake.)
The
prisoner was quite co-operative, at night we “interrogate” with the help of a
pidgin Japanese book. He said that he was a fighter pilot and he showed us
where on the map (our map) he took off from and where the bombers left from.
He
was picked up a couple of days later not quite sure if it was two or three
days, two I think.
We
then resumed our routine. Moore and Elimore in the bush with the radio and I at
the firing point.
One
of the Americans from the plane mentioned returned to salvage some parts. He
was with me one morning after Moore and Elimore had left when the natives came
running around to where we were calling out Japanese! Japanese! They told us
there were five on Melville Island opposite the mission we adopted the same
tactic as before. We both went down to the beach and told the natives to bring
them across, as they stepped ashore we came out from where we were hiding and
surprised five startled sorry looking Japs.
Told
them to put their hands up, by gesture they were talking a lot so to quieten
them I fired a shot at their feet and got a result.
The
five were taken around to our quarters given water and something to eat, sent
for Moore and Elimore, a message was coded and sent to the mainland, the five
said they were off a cargo ship that had been sunk named “Makayu Marki”. This
was not true. I found this out later when a TV film crew visited my home for an
on camera interview. They were off a Jap bomber that came down off Melville
Island there were six in the crew and one did not survive.
The
film crew were from Y.T.V. “Yomilili” and were down doing a documentary on the
Cowra breakout.
When
I returned to my unit Moore asked me to make a report to the effect there was a
possibility in an electrical storm the air-strip could prematurely be blown up.
I said this was unlikely. To keep faith with him and the position they were in
not knowing what was happening and they wanted out I subsequently made the
report to C.R.E.
Some
time later I was with my CO. [?] possible sights that would have to be blown up
in case of a Japanese landing. We were at a RAAF radio station when I ran into
corporal Moore he was with at least six other airman, he introduced me as the
Sgt. who had taken prisoner the first Japanese prisoner on Australian soil. A
fact he seems to have forgotten in later years, in fact it seems we, Elimore or
myself never existed, he skips over the important parts, possibly a mental
block as he was not there when the action happened both times, I wonder would
he have reported it if he was in my shoes? Makes you wonder!
When
I visited Bathurst Island some years later with my wife you may remember I
questioned Matthias about some of the account such as the firing of the pistol
and what had supposed to have happened on Melville Island he just thought the
truth would have spoilt a good story.
He
says when I stepped out from behind the tree he says I gave him my rifle and he
gave me revolver and that I fired a shot, not so. He then says when I took him
around to our quarters there were five or six stationed there, not so. I would
not have gone down to the beach on my own if there had been others there.
On
another occasion he was quoted saying Father McGrath came riding up on a horse.
I do not know where he got that from, as he had long gone from Bathurst Island.
The
main fact is there were, apart from the natives, by myself there and my account
was never asked for, after all the Jap was never a prisoner until I stepped out
and at gun point and disarmed him and then and only then became a POW
Sgt.
23.Fld.Coy.RAE.
Les
Powell.
P.S.
In this year “That Australia Remembers” It would be nice to receive some
official recognition, the enclosed data is to establish my bona fide and
history should be based on fact. (Enclosed photo to do as you with)
(Letter written about 1990.)
Appendix D: The Death of Certainty.
There
are a few alternative endings to the story of Hajime that I hinted at in my
narrative. The first is that Hajime died on Melville Island and was never
captured. He may have simply died of starvation or of inflicted wounds. The
pilot that Les Powell and the Aboriginals caught may have been someone else. However,
it would be a pretty short story then and perhaps not worthy of the dozens of
published accounts.
It
is possible that the Aborigines killed Hajime. There was much antagonism
between Japanese pearlers and the Aborigines that had resulted in deaths. I
found this published account of some other Japanese prisoners who were
“captured” by the Northern Territory Aborigines.
Not
all were taken alive, according to bob Baupani, who worked on the Milingimbi
airstrip at the time of the Japanese raids. He recalled a Japanese airman who
parachuted from a downed aircraft.
“Soon
as (he) bin landing, soldier there.....They never bin take prisoner. No, just
one way bullet.....finish him up."
And, he said, the whites told their
Aboriginal workers:
“if
you see any landing Japanese, just spearem."
There
is a persistent story which indicates that, at least on one occasion, the
Aboriginals did just that. As Tim Japangardi told it:
“When
some Australian people shot a boat, Japanese boat and.......some of them get
live and swam across sea to beach. Some Aboriginal people caught them.....and
put a spear through them. all around the beach.”[159]
Another
alternative is that Hajime was simply sent to Cowra and was not very important (but
who wants to hear that?) It would seem that many “historians” like Harry Gordon
and Bob Piper, who have made “absolute certain” connections between Hajime Toyashima
and Tadeo Minimi, have set out with a thesis or a “cause” that asserts that
Hajime Toyashima is Tadeo Minimi, and they will find any minuscule fact to
prove it. After all, facts are “objectively observable” and “empirically
verifiable” truth(?)
One
of these so-called facts is that “Hajime Toyashima”, if this is the pilot in
the photo with Les Powell, scarred his face when he crashed. This may be true
as, in the photo, the prisoner has many bandages on his face. It is also
certain that Tadeo Minimi had a scar above his right eye as the following
evidence from the Cowra Inquiry states. But this hardly makes the connection
absolute. Remember that this is a time of war and scars would have been common
place. And even if Tadeo Minimi is the same pilot that Les Powell captured, how
do we know that he is the same “number one” pilot from the Zero?
It
is easy to become confused and bogged down in detail and the choice of
documented “evidence” in this study was enormous. Indeed as E.H.Carr once said,
“facts are fish” meaning that it is possible to choose numerous “fish” out of
the millions in the ocean and “serve them up” any way you wish.[160]
This
is what Sergeant Jack Granger of the intelligence Corps is quoted as saying
when asked about Tadeo Minimi’s identity during a court of inquiry into the
Cowra breakout..
“Are
you sure it was Minami?”
“Yes”
he replied. “I could positively identify Minami, having spent some time in the
compound with him during his term as acting camp leader and when he was camp
leader in D compound."
“Did
he have any identifying marks?”
“Yes.
He had a scar on the corner of his left eye.”
Negervich
was asked: “Did you see Minami’s body?”
“Yes,”
he responded, “in the morning. It was in the Southern part of Broadway right
next to the officers’ quarters. He was dead and lying in the gutter."[161]
The
pilot who crashed on Melville Island may have wounded his face when he landed. Tadeo
Minimi, or who ever this person was, had a scar above his left (or right) eye.
Again this seems like big fish for big boys. Facts can be fish and served up as
any dish you please on the fishmonger’s tray.
Epilogue: How I wrote the story of Hajime..
A: Stylistic
Devices.
Although
in The Question of Hajime, I use
numerous fictional devices, as I outlined in the prologue, it is not fiction. I
am heavily influenced by the Harvard academics, Simon Schama and Jonathan
Spence, but their works (especially Simon Schama’s Dead Certainties)
venture far more into the fictional realm. Schama speculatively invents
imaginary conversations or interior monologues, of which the accuracy he makes
no claim.[162] The first
person conversations that I use in my story are the actual conversations, taken
from primary sources, that the real life characters were recorded as saying.
I
used court room dialogue or investigative interviews to ascertain what was
actually said and re-contextualised this material, in most cases, verbatim. When
I could not use a source because it was in third person or past tense, I simply
changed it to first person, present tense, restricted by the documentary
evidence in my possession. It is not so much that I do not agree with Spence or
Schama’s fictional devices, it is that I had many more primary sources
available to me than they perhaps did. My work is concerned with history merely
fifty years past, whilst their particular studies are set in the 17th Century.
A
stylistic device that I experimented with was the self-reflexivity of the
sources that I used to construct my narrative. Schama does this extraordinarily
well in Dead Certainties, which I feel detracts from his many critics
who claim that it is “all made up". Self-reflexivity is a tool long used
in avant-garde cinema where the
viewer is made aware that what he or she is watching is film. Film is
constructed of celluloid, cameras, editing, directors, lighting, story, and an
infinite amount of subjective choices.
By
making the viewer aware of all the choices that go into making a film, the
director is not imposing a false sense of “reality” upon the audience. For
instance, a wobble of the camera, an editing jump-cut, and characters that seem
to walk across the screen can make you aware of the camera’s limited view. Wim
Wender’s Wings of Desire (1989) and Fassbinder’s The Bitter Tears of
Petra von Kant (1972) are brilliant examples of self-reflexivity in the
cinematic arts.
The
opposite to the avant-garde film is
the Hollywood film that uses a concept known as suture. The Hollywood film
glosses over the links and choices that go into making a film and “sutures” the
viewer into the story. It portrays a false sense of “reality” as it denies the
producer the ability to show the process of his or her art. In a Hollywood
film, the camera is all-knowing and all-seeing and does not dare to “take a
look at itself”. A Hollywood film has very few tangents and the viewer is not
made aware of the alternative directions the story could have taken, or why the
story is taking the direction that it is; like sheep we are passively drawn
along.
This
analogy to cinema is important because it is the authoritative tone in much
historical analysis that is like an “all-seeing camera”. Analysis often hides
the links and alternative tangents that the “story” could have taken, by
imposing a false sense of scientific objectivity, or “reality”. In the Darwin
bombing scene in my narrative, there are numerous cuts and jumps that make the
reader aware of the evidence. If I had have made the story smoother or attempted
to hide the links, I would have been concealing the historian’s craft (or
craftiness).
When
you read a narrative such as Schama’s, a source seems to leap out of the page
and make you aware that it is a primary document; this is historical self-reflexivity
in action. Schama does this in the court room scene in Dead Certainties,
when he refers constantly to the stenographer for no apparent reason. But later
you realise (if you are a crafty historian) that this is where he must have
obtained his evidence for the very dialogue that he is using.
It
is quite difficult to do successfully and I only really tried it a few times
(not so subtly in the Darwin Royal Commission scene and the interrogation
scene). Its successful use can lessen the reliance on excessive footnoting that
can often detract from the story. In my narrative nearly every paragraph
required a verifiable footnoted reference as I was well aware that the
authoritative and truthful voice of narrative is humbled beneath the bellowing
ejaculations of her analytical master.
B: Sources.
I
will not offer much more critical analysis here than I have already given in
previous sections, because after all, it is not necessary given my narrative
and epistemological arguments. Many of the themes, the thesis, evocative ideas,
juxtapositions, metaphor, and paradox are contained within the narrative; the
individual reader brings his or her own subjective understanding. As discussed
in the prologue, this is one of the advantages of this mode.
The
sources I used in this study are extremely varied. I used numerous government
documents, oral histories, private records, and secondary sources. Probably the
least reliable of all these were the secondary sources. An interesting story
like this inevitably attracts the “impeccable” investigative skills of
journalists. I found articles in publications as disparate as The Canberra
Times, The Age, professional journals, and The Australasian Post
Magazine (bored journalists tend to write books with revealing titles such
as “Stick em Up” or “Die Like the Carp”).
One
of my most reliable sources about Darwin was in fact written by a journalist
who lived in Darwin, called Douglas Lockwood (Australia’s Pearl Harbour)
(1975). Although originally written in the sixties, it is still the best
researched book about the attack (even without the benefit of the minutes of
evidence from the Lowe Royal Commission, which Lockwood could not gain access).
His description of events and analysis is almost the same as later accounts in
which more documents were available.
The
portions of published books and complete articles written about “Hajime
Toyashima” are riddled with inconsistencies. For instance, Hajime’s name is
published in the book Japanese Naval Aces and Fighter Units in World War II.
How a 22-year-old supposedly on his first time mission could be an ace pilot is
a mystery to me. About the only thing the secondary sources have in common is
that, predictably, they nearly all claim that Hajime Toyashima is Tadeo Minimi.
As
this thesis is presented, yet another book is hot off the press claiming that
Hajime and Tadeo are the same person. It is by Bob Piper, the former boss of
RAAF Historical in Canberra. Considering his previous articles in The Canberra
Times and The Australasian Post Magazine, which arrogantly asserted
conclusions based on flimsy evidence, I am sure this will be more of the same. I
am also led to believe that some of Mr. Piper’s sources are a blatant
contrivance, such as Photo B (explanation in the Bibliography). It is perhaps
also predictable that Mr. Piper has published his “findings” in just about any
magazine that will take his articles.
C: A note
on epistemological angst..
I
should at this stage at least mention something about the debate in the
Australian press this year over the blurring of fact and fiction that many
short sighted journalists reduce to the word “faction”. I am really not sure
what the definition of this term is or even if it has any relation to the work
of Simon Schama, Garrett Mattingly, John Womack or others working in an
evocative, narrative style. The debate split the Australian academic community
in what I saw as a rather sensationalist over-reaction. Helen Demidenko wrote a
novel; it is really that simple. It was a particularly good novel for a first
time author and showed quite good novelistic skill.
All
novels are historical to some degree, and without history, we would not be able
to understand anything that is written. Even a science fiction book has to have
some reference to known historical events, characters, actions, and cultural
paradigms; otherwise, how would any of the ideas within it be communicable? How
come Clio does not apply her same empiricist rules to Tolstoy, Kafka, Celine, Patrick
White, or Banjo Patterson? They all deal with real, empirically known events to
some degree and none of them, just like Helen Demidenko, ever claimed to be an
historian. Literature is not history, nor (as I am sure would surprise Gerald
Henderson), is it journalism. The rich world of the imagination is very
different from the observable, empirical, positivist, and practical world.
The
debate reveals a deep seated anxiety within the history profession and perhaps
is an indication of the winds of epistemological scepticism and Nietzchean
denials of the possibility of objectivity that are sweeping through every
humanistic discipline.[163]
Rather than a matter of fiction writers attacking the discipline of history, it
was a matter of historians and journalists attacking literature (for what ever
reason).
Clio
is morally reserved when it comes to Brett Whiteley and Henry Miller, so why
did Helen Demidenko receive her wrath? Art and science are two different things
requiring different skills, different outlooks, and very different motivations.
I am not really sure why so many historians failed to remember this when it
came to Helen Demidenko. Could it have been a literary version of Bluepoles? (Frederick McCubbin was much
better at telling the “truth”).
I
do not really wish to be associated with Helen Demidenko any more than I do
with Jean Genet, but it is inevitable that I will be considering the misguided
nature of the whole debate. “Evocative narrative” has roots stemming back over two
thousand years and “faction” has about as much meaning for me as putting
Vegemite and Peanut Butter on the same sandwich!
At
the beginning of the year a number of academics suggested that I withdraw from
honours rather than write what they considered was “not history”. Narrative is
not only the oldest form of history, but I consider it to be a much more
intellectually challenging and aesthetically pleasing mode. If I had chosen a
title for my thesis such as “Labour Relations in the Dutch Margarine Industry
1870-1934” no one would have blinked an eye.[164]
A
generation ago, almost everyone in Australia shared a much more common history
and consistent set of cultural norms. There were fewer media oulets and
academic curriculum was much more predictable. This universality has now been
shattered, probably for good. Information now splits along demographic, political,
and cultural fault lines. We all look in our separate mirrors now, and mostly
see ourselves looking back. What was universal in the post-war years has become
the media of the middle-class: the political and cultural structure of the
ageing and incredibly self-righteous boomers. They tend to the perfumed remains
of the industrial era with barbed wire defining and guarding the perimeters. They
pay homage to a Zero, crashed and battered in the Australian bush, its motor the decadent drones of a modernism
that no longer bears any trace of flight.
Manning
Clarke once said that “every generation writes its own history in its own
image: every generation admits into the portals of the heroes men [or women
Manning] fashioned in their own image”.[165]
Someone also once said that the past is another country; that person had
obviously never looked all that hard at their own.
PS.
I had great difficulty in finding documentary evidence as to whether a dog
actually pissed on the street a few minutes before the Darwin raid. I can only
make an informed speculation as to its truthfulness.
Bibliography.
Historiography.
Baum, W.K.
Oral History for the Local Historical Society, Berkeley, University of
California Press, 1971.
Carr, E.H.
What is History? London, Harmondsworth, 1964.
Clarke,
Manning. “Heroes” in Australia: The Daedalus Symposium, Sydney, Angus
and Robinson, 1985, pp.57-84.
Demidenko,
Helen. The Hand Signed the Paper, Sydney, Allen and Unwin, 1994.
Elton, G.R.
The Practice of History, Sydney, Sydney University Press, 1967
Geertz, Clifford.
“Thick Description: Towards an Interpretive Theory of Culture” in The Interpretation
of Cultures , New York, Basic Books, 1973, pp3-30
Geoffrey
of Monmouth, History of the Kings of Britain, Translated by Sebastian
Evans, London, Dent 1963
Louch, A.R.
“History as Narrative” in History and Theory, Vol.8., 1969, pp54-70
Marr.David
“Australia’s Satanic Verses: David Marr on Demidenko” in Sydney Morning
Herald, 26th August, 1995, p.Spectrum 4A.
Mattingly,
Garrett, The Defeat of the Spanish Armada, Penguin, 1988
Mink, Louis
“History and Fiction as Modes of Comprehension” in New Literary History,
1969-70, pp541-558
Porter,
Roy. “The History Man” in New Statesman and Society, 7th June 1991,
pp.42-43.
Potts, David.
“Two Modes of Writing History: the Poverty of Ethnography and the Potential of
Narrative” in Australian Historical Association Bulletin, March-June
1991, pp5-24
Schama, Simon.
Citizens: A Chronicle of the French Revolution, Viking, 1989
Schama,
Simon. Dead Certainties: (Unwarranted Speculations), London, Granta
Books, 1991
Schama,
Simon. “No Future for History Without its Stories” in The Sydney Morning
Herald, 19th November, 1991, p13.
Scholes, Robert
and Kellog, Robert,.The Nature of Narrative, Oxford, Oxford University
Press, 1979
Singer,
Peter. “Fiction, Faction, Fact and Literature” in The Sydney Morning Herald,
16th September, 1993, p.33.
Spence, Jonathan
A Question of Hu, New York, Vintage Books, 1988
Stone, Lawrence,
“The Revival of Narrative: Reflection on a New Old History” in Past and
Present, no 85, November 1989, pp3-24
Windshuttle,
Keith: How a Discipline is Being Murdered by Literary Critics and Social
Theorists, Sydney, Macleay Press, 1994.
Wood,
Gordon.S. “Novel History” in The New York Review of Books, 27th June
1991, pp.12-16.
Zeldin.
Theodore. “Playmates” in London Review of Books, 13th June, 1991,
pp15-16
Australia.
The
Australian Military Forces (eds.), Khaki and Green: With The Australian Army
at Home and Overseas, Australian War Memorial, Canberra, 1943.
Alford,
Bob. Darwin’s Air War: 1942-1945 An Illistrated History, The Aviation
Historical Society of The Northern Territory, 1991
Abbott, C.L.A.
Australia’s Frontier Province, Angus and Robinson, (Date Not Specified)
Alcorta, Frank.
Australia’s Frontline, The Northern Territory’s War, Allen and Unwin,
Sydney, 1991
Asada,
Teruhiko. The Night of a Thousand Suicides, (Translated from the
Japanese and edited by Ray Cowan), Angus and Robinson, Sydney, 1967
Bean,
C.E.W. War Aims of a Plain Australian, Angus and Robertson, 1943
Carr-Gregg,
Charlotte, Japanese Prisoners of War in Revolt: The Outbreaks at Featherston
and Cowra During World War II, University of Queensland Press, St Lucia
Queensland, 1978.
Dewar, Michelle.,
The “Black War” in Arnhem Land: Missionaries and The Yolngu, 1908-1940, The
Australian National University North Australian Research Unit, Darwin, 1992
Gordon,
Harry. Die Like The Carp! The Story of the Greatest Prison Escape Ever.
Cassell Australia, Sydney, 1978.
Gordon,
Harry. Voyage From Shame, The Cowra Breakout and Afterwards. University
of Queensland Press, St. Lucia, Queensland, 1994.
Hall, T. Darwin
1942, Australia’s Darkest Hour, Methuen, Sydney, 1980
Lockwood, D.
The Front Door: Darwin 1869-1969, Rigby, Adelaide, 1968
Lockwood, D.
Australia’s Pear Harbour, Rigby, Adelaide, 1975
Lockwood,
Kim. “Massacre in Darwin” in Herald-Sun, 9th December, 1991, p15.
Macintyre,
Captain Donald, R.N. Wings of Neptune: The Story of Naval Aviation, Peter
Davies Ltd, Surrey England, 1963
Piper, Bob.
“The Forgotten Prisoner” in The Australasian Post, 12th September, 1985,pp.12-13
Piper,
Bob. “Epitaph for a Darwin Raider” The Canberra Times, 12th February,
1983, p.13.
Powell, A.
The Shadow’s Edge: Australia’s Northern War, Melbourne University Press,
Melbourne, 1988
Rosenthal,
Newman. “Sir. Charles Lowe.” The Age, 11th May, 1968, pp.17-18.
Stuart, L
and A.J. Letter’s Home 1939-1945, Collins, Sydney, 1987
Takahara,
Marekuni, Cowra Monogatari, Toyo Keizal Shinpo, Kobe, 1987.
Wallace,
G. Those Air Force Days, G.Wallace Publications, 1982
Japan.
Ballou,
Robert.O. Shinto, The Unconquered Enemy: Japan’s Doctrine of Racial
Superiority and World Conquest, New York, The Viking Press, 1945.
Brooker,
Paul. The Faces of Fraternalism. Nazi Germany, Fascist Italy and Imperial
Japan, Oxford, Clarendon Press, 1991
Dunn, C.J.
Every Day Life in Imperial Japan, New York, Dorset Press, 1969.
Haiducek,
Nicholas. J. Japanese Education, New York, Praeger, 1991
Hall,
R.K., Kokutai No Hongi: Cardinal Principles of the National Entity of Japan.
Cambridge, Mass.: Harvard University Press, 1949.
Hato,
Ikuhiko and Izawa, Yasuhi. Japanese Naval Aces and Fighter Units in World
War II, Annapolis, Navy Institute Press, 1975
Kawai,
Tatsuo. The Goal of Japanese Expansion, Tokyo, The Hokuseido Press, 1938.
Moriki,
Masaru. “An Aerial History of the Second World War” in Aireview,
October, 1983, pp.11-13.
Prange, Gordon.W.
God’s Samurai, Washington, Brassey’s, 1990
Pyle, Kenneth.
The New Generation in Meiji Japan: Problems of Cultural Identity.,
Stanford, Stanford University Press, 1969.
Roden,
Donald. Schooldays in Imperial Japan, Berkeley, University of California
Press, 1980.
Wilson.J.F.
Shinto and State, Princeton, Princeton University Press, 1989
Primary Sources. (Including
Research Centres)
A) Photographic Evidence:
Australian
War Memorial (ACT), Les Powell Personal Records and Robert Piper Personal
Records. (Includes captions and my own comparative analysis)
As with the written record, there is quite a
considerable amount of visual evidence available for this study. And as also
similar to the written record, many of the photos were unclear, contradictory
to other photos and documents and even blatantly contrived. A small selection
of the most published photos are offered in this thesis.
Photo A: (Page 10)
Published in Robert Piper “ Epitaph for a Darwin
Raider” in The Canberra Times, 12th February 1983, p13.
This is said to be Zero pilot Hajime Toyashima, centre,
with fellow trainees during a visit by members of his fighter-pilot training
course to Hirose shrine in Takeda, Japan in 1941.
Photo B: (Page 10)
Les Powell Personal Collection.
Mr. Powell is not sure how he came to get this photo
in his collection, but he believes that it may have come from Robert Piper. This
photo is contrived as it has “usual signature” written in English and the
supposed signature of “Tadeo Minami”. How is it possible that he could have
given a false name in pilot school before he was captured by Les.
Powell? I had the signature translated and it actually does sayTadeo Minimi. This
was the best example of fake evidence that I found.
Photo C: (Page 32)
Australian War Memorial (ACT): Negative Number;
152204.
This is the damaged fuselage of the landed aircraft
shot at on Bathurst Island by the Japanese on their way to Darwin for the first
raid. It is an American transport plane.
Photo D: (Page 21)
Les Powell personal collection. and Australian War Memorial (ACT): Negative
Number; P0022/02/01
This is a photo of Les Powell taken with “Hajime
Toyashima” on Bathurst Island. This photo is said to have been taken on the
27th of February 1942. Note that this photo was taken eight days after the
first raid on Darwin. It is quite possible that this pilot is not Hajime but
another Japanese man from the downed bomber in the same period and similar
location.
Photo E: (Page 10)
Published in Harry Gordon’s Voyage from Shame, The
Cowra Breakout and Afterwards, St. Lucia, University of Queensland Press, 1994,
p.27.
This is a photo of “Tadeo Minimi” said to be taken by
Sam Shallard whilst Tadeo was in Melbourne. It is not clear who this actually
is in the photo or its relation to Photo D.
Photo F: (Page 22)
Robert Piper Personal Collection.
This photo is of “Hajime Toyashima” said to be taken
at The RAAF Station, Port Pirie, South Australia in about March of 1942. There
is a striking resemblance of this pilot to the one in Photo D. He has a similar
pose, body shape, height and there are bandages on his face. This evidence
contradicts the claim by Shallard that the pilot that he had in custody in
Melbourne, “Tadeo Minimi”, is the same pilot to this one “Hajime Toyashima”.
Photo G:(Page 32)
Australian War Memorial (ACT): Negative Number; 012741.
Machine gun crew on anti-aircraft duty in the Darwin
area, 7th January 1942. These light “ack ack” guns had little chance of
effective operation against a Japanese attack.
Photo H: (Page 42)
Australian War Memorial (ACT): Negative Number; 062344.
A photo taken of a squad of Melville Island Aborigies
taken on the 22nd of December, 1943. They were enlisted in the Royal Australian
Navy for special duties such as locating stranded Japanese airmen.
Photo I: (Pa ge 42)
Les Powell Personal Collection.
A photo of the Zero crash landed on Melville Island
that is said to be the plane of Hajime Toyashima.
Photo J: (Page 51)
Australian
War Memorial (ACT): Negative Number; 044171.
A photo taken at Cowra prison camp on the 5th of
August, 1944. This prisoner ended his life during the breakout. A knife is
still clutched in his hand. It is quite possible that this is Tadeo Minimi, although
numerous prisoners ended their life in a similar way.
B) RAAF Historical Section, Canberra.
Main File into The Bombing of Darwin. (Not
Referenced).
C) RAAF Museum, Point Cook, Victoria.
Piper, Robert. “War Comes To Australia” An article
written to accompany Petty Officer Hajime Toyashima’s flying clothing on
display at the RAAF Museum, Victoria.
D) The Australian National Library, Canberra.
The Australian National Library (ACT): Abbott, Hilda,
MS4744; “Diary 1942”
E) The Australian War Memorial, Canberra.
Hopley, John. “Cowra Bugle Presented to Australian
War Memorial” Despatch: Monthly Journal of The New South Wales Military
History Association, vol.15, no.7, Jan., 1980, pp.144-145.
Pye, Brother John. “The Tiwi Islands”, (Manuscript in
personal possession of Mr. Michael O’Sullivan, Curatorial Assistant, Private
Records, Australian War Memorial (ACT).
Australian War Memorial (ACT): Royal Australian Air
Force, AWM54; 812/3/11 Raids Air--Enemy including damage: Chart of Darwin air
raids--Excluding reconnaissance except where stated: Showing date time
target--own and enemy losses, anti-aircraft engagements, 1942-43
Australian War Memorial (ACT): Australian Defense
Forces, AWM218; 779/3/3 Card index to interrogation reports of Japanese
captured by Australian’s.
Australian War Memorial (ACT): Royal Australian Army,
AWM54; 779/375 Japanese Prisoner of War-Army Interrogation Reports No.1 Tadao
Minami No.2. and Sakaki Minorn.
Australian War Memorial (ACT): Australian War
Memorial, AWM68; 3DRL 8052/103B Official History, 1939-45: Records of Paul
Hasluck: Research Notes: Information on fighter control units and the Darwin
air-raids.
Australian War Memorial (ACT): Australian War
Memorial, AWM68; 3DRL 8052/92 Vol II: Miscellaneous papers mostly for “Bombs on
Australian Soil”
Australian War Memorial (ACT): The Australian
Government, AWM54; 780/10/3 Prisoner Of War Australia and Internees--Escapes. The
findings of a court of inquiry on the mass of escape of Japanese Prisoner Of
War Cowra NSW, 5th August 1944, including nominal roll of deceased Japanese
POW’s.
Australian War Memorial (ACT): The Australian Defense
Forces, AWM54; 780/1/7 Prisoner Of War Australia and Internees General. Nominal
roll of Japanese Buried Cowra Japanese Cemetery.
Australian War Memorial (ACT): The Australian Defense
Forces, AWM226; 100 File: Outbreak of Prisoner of War Camp, Cowra, 5th August,
1944.
Australian War Memorial (ACT): The Australian Defense
Forces, AWM226; 96 File: Prisoner of War Group, Hay, Cowra.
Australian War Memorial (ACT): The Australian Defense
Forces, AWM127/15 Japanese Survivors of Cowra Prison Break.
Australian War Memorial (ACT): Royal Australian Air
Force; AWM54 86/5/1 Aviation, Enemy. Names of Japanese Air Combat tactics
including bombing and dive bombing visual signs used by Japanese Aircraft 1942,
1943
Australian War Memorial (ACT): Joint Intelligence
Centre Pacific Ocean Area, AWM54; 423/4/40 Intelligence-Captured documents and
translations: Interrogation of Japanese POW’s.
F) Australian Archives, ACT
Australian Archives (ACT): AA1977;461 Department of
the Army, Proceedings and Findings of Court of Inquiry into Outbreak from Cowra
POW Camp, 1944, 2 vols.
Australian Archives (ACT): Bathurst Island Mission,
A431; 1951/1294 Bathurst Island Mission Reports 1910-1952
Australian Archives (ACT): Administrator, Northern
Territory, A431; 1946/1560 Japanese air-raids Darwin detailing movements and
actions of administrator
Australian Archives (ACT): The Australian Government,
A816/1; 31/301/293 Findings and further and final report--Commission of inquiry
on the air-raid on Darwin 19th Feb. 1942. Original. Mr. Justice Lowe. (This
includes the volumes of the minutes of evidence from the Lowe Royal Commission)
Australian Archives (ACT): The Australian Defense
Forces, A5954/1; 372/12 Press reports of bombing of Darwin. Advisory war
council agendum No. 2/1942.
G) Australian Archives, Victoria.
Australian Archives (Vic.): Administrator, Northern
Territory, MP729/8; 36/431/46 Darwin-Main file on operations of Japanese during
air-raids on-Reports by Administrator and Mr. Justice Lowe.
Australian Archives (Vic.): Burns Philp (Ship
Owners), MP1587/1; 156B Loss of M.V. “Neptuna” at Darwin, 19th February, 1942. Report
by John Hyde, Ship Surgeon.
Australian Archives (Vic.): United States Pacific
Fleet, Flagship of the Commander-in-Chief, MP1587/1; 174Q “Hiryu” Japanese
Aircraft Carrier (POW Interrogation report of survivors of Hiryu from Commander
in Chief, United States Pacific Fleet.)
H) The Aviation Historical Society of Northern
Territory Inc., Darwin.
Alford,
Bob. Darwin’s Air War: 1942-1945 An Illustrated History, The Aviation
Historical Society of The Northern Territory, 1991
The
wreckage of Hajime Toyashima’s Zero is held in the society’s museum.
I) Interviews.
Mr. John
Haslett. (Curator, The Aviation
Historical Society of Northern Territory) Phone interview, 5 September, 1995.
Sgt. Les
Powell. (Ex-Sergeant, Australian Army, Captured
Hajime Toyashima on Melville Island) Personal
Interview, 17th October, 1995.
J) The National Institute for Defense Studies, Military
History Department., Tokyo.
This
research centre was telephoned on the 19th September 1995 from The Department
of Japanese, The University of Melbourne, requesting information relating to
Hajime Toyashima or Tadeo Minimi. We were told that: “obtaining information of
this nature would be very difficult given the fact that we were not in Tokyo”. (This
translates to “no” in Japanese.)
K) Department of Japanese, The University of
Melbourne (CD ROM Search)
J.BISC. 1969-1995. (Record
of all books published domestically in Japan’s, National DIET Library, Tokyo.)
Zasshi
Kiji Sakuin. (1990+, Record of 1300+ periodicals published in Japan.)
A search
was conducted using the key words Tadeo
Minimi and Hajime Toyashima to
ascertain if there were any published items in Japan relating to either of
these individuals.
L) The Australian and Japanese Military
Cemetery, Cowra, N.S.W.
Tadeo
Minimi’s grave is located at the Japanese Military Cemetery in Cowra.
This is
confirmed by documentary evidence at The
Australian War Memorial.(ACT):
AWM54 780/1/7 “Nominal Roll of Japanese Buried Cowra Japanese Military
Cemetery.
Name: Sgt. Minami (Tadeo), Date of Death: 5-8-1944,
Grave Sight: Sec. C. QC. 18.
[1] Simon Schama, “No Future for History Without its Stories” in The Sydney Morning Herald, 18th November, 1991, p13.
[2] G.R. Elton, The Practice of History, Sydney, Sydney University Press, 1967, p127
[3] Geoffrey of Monmouth, History of the Kings of Britain, (Translated by Sebastian Evans, Dent 1963)
[4] Robert Scholes and Robert Kellog, The Nature of Narrative, Oxford, Oxford University Press, 1979, p208
[5] Ibid.
[6] Ibid, p217
[7] David Potts, “Two Modes of Writing History: The Poverty of Ethnography and the Potential of Narrative” in Australian Historical Association Bulletin, March-June 1991, p.19
[8] A.R.Louch. “History as Narrative” in History and Theory, Vol 8., 1969,pp.61.
[9] Keith Windshuttle, The Killing of History: How a Discipline is Being Murdered by Social Therists and Literary Critics,
[10] Robert Piper, “War Comes to Australia” An article written to accompany Petty Officer Hajime Toyashima’s flying clothing. On Display at The RAAF Point Cook Museum, Victoria.
[11] Douglas Lockwood, Australia’s Pearl Harbour, Adelaide, Rigby, 1975,p2
[12] Australian Archieves (Vic): MP157/1; 174Q
[13] Lockwood Op.Cit, p4
Douglas Lockwood went to Japan after the war to interview Commander Fuchida for his book. Fuchida’s diologue and thoughts here are based on this.
[14] Ibid.
[15] Ibid, p7
[16] Ibid, p8
[17] Ikuhiko Hato and Yasuhi Izawa, Japanese Naval Aces and Fighter Units in World War II, Annapolis, Navy Institute Press, 1975, p64
[18] Lockwood, Op.Cit.,p8
[19] Ibid, p9
[20] Ibid, p10
[21] Charlotte Carr-Gregg, Japanese Prisoners of War in Revolt: The Outbreaks at Featherston and Cowra During World War II, St.Lucia Queensland, University of Queensland Press, 1978, p89
[22] Captain R.N. Donald, Wings of Neptune: The Story of Naval Aviation, Surry England, Peter Davies Ltd, 1963, p104
[23] Lockwood, Op.Cit, p4
[24] Australian War Memorial (ACT): AWM54;86/5/1
[25] Lockwood,Op Cit, p10
[26] Harry Gordon, Voyage From Shame, The Cowra Breakout and Afterwards, St.Lucia Queensland, University of Queensland Press, 1994, p1
[27] The Australian War Memorial (ACT): AWM54;779/375
[28] Gordon, Op.Cit., p1
[29] C.J Dunn, Everyday Life in Imperial Japan, New York, Dorset Press, 1969, p37
[30] Gordon.W.Prange, God’s Samurai, Washington, Brassey’s, 1990, p77
[31] Dunn, Op.Cit., p71
[32] Office of The War Historian, W.R.Clarke, January, 1953, p62 “Raid 1 Formations” (RAAF Historical Section)
[33] Frank Alcorta, Australia’s Frontline: The Northern Territory’s War, Sydney, Allen and Unwin, 1991, p8
[34] Ibid, p8
[35] Donald Roden, Schooldays in Imperial Japan, Berkeley, University of California Press, 1980, p95
[36] Ibid, p100
[37] Ibid, p105
[38] Dunn, Op.Cit, p98
[39] J.F. Wilson (ed) Shinto and State, Princeton, Princeton University Press, 1989, p90
[40] John Pye, “The Tiwi Islands”, p46 (Manuscript in the personal possession of Mr. Michael O’Sullival, Curatorial Assistant, Private Records, Australian War Memorial (ACT)
[41] Timothy Hall, Darwin 1942, Australia’s Darkest Hour, Methuen, Sydney, 1980, p20
[42] Ibid
[43] Ibid
[44] Ibid, p21
[45] Ibid, p22
[46] Pye, Op.Cit, p47
[47] Ibid.
[48] Hall,Op.Cit., p22
[49] Pye, Op.Cit, p46
[50] Wilson, Op.Cit, p30
[51] Hall, Op.Cit.,p54.
[52] Australian Archieves (ACT): A816/1;31/301/293
There are many conflicting stories here. When the Royal Commissioner examined the log book (Operations Room) between the 16 of February and the 20th, there was not a single entry. The raid might never have happened.
[53] Carr-Gregg, Op.Cit.,p84
[54] R.K Hall “Kokutai no Hongi”: Cardinal Principles of the National Entity of Japan, Cambridge Mass, Harvard University, p114
Adherence to the precepts of kokutai, as outlined in the Japanese book Kokutai no Hongi, was rigorously enforced in the late 1930’s. Hall notes that in 1937 appproximately 300 000 copies of this small book were distributed to the teaching staff of both public and private schools from the university level to elementary schools
[55] Ibid, p115
[56] Dunn, Op.Cit., p101
[57] Roden, Op.Cit., p100
[58] Gordon, Op.Cit.,p23
[59] Ibid.,p24. This letter, along with a photo of Hajime, was sent to Gordon by Shallard on the 20th of August, 1980. Shallard is now deceased.
[60] Newman Rosenthal, “Sir Charles Lowe” The Age, 11th May 1968,.p17.
[61] Australian Archieves (ACT): A816/1;31/301/293.
[62] Gordon, Op.Cit.p24
[63] Ibid, p25
[64] Ibid, p33
[65] Ibid, p34
[66] The Australian War Memorial (ACT): AWM54 780/1/7
[67] Teruhiko Asada, The Night of a Thousand Suicides: The Japanese Outbreak at Cowra, Angus and Robinson, Sydney, 1967, p92
[68] Gordon, Op.Cit.,p54
[69] Ibid, p54.
[70] Ibid, p55
[71] Ibid., p77-78
[72] Ibid., p83-84
[73] Ibid, p84
[74] Richard O’Neill, Suicide Squads, Landsdown, Sydney, 1981, p12
[75] Gordon, Op.Cit., p115
[76] Australian Archieves (ACT): AA1977:461
[77] Gordon, Op.Cit., p120
[78] Ibid, p116. The dialogue here is based on Gordon’s personal interviews with Kanazawa in Japan in April 1977.
[79] Ibid, p126
[80] Ibid, p19
[81] Ibid, p120-121.
[82] John Hopley, “”Cowra Bugle Presented to The Ausralian War Memorial” Deapatch: Monthly Journal of The New South Wales Military Historical Society, vol. 15 no.7. Jan 1980, pp144-145.
[83] Gordon, Op.Cit.,p140
[84] J Binning, Dear Mum, Melbourne, Greyflower Publications, 1964, p.20
[85] Alcorta, Op.Cit., p6
[86] Ibid
[87] Ibid, p18
[88] Lockwood, Op.Cit., p69 The diologue here is based on Douglas Lockwood’s personal interviews for his book.
[89] Ibid
[90] Ibid.
[91] Hall, Op.Cit., p23
[92] Lockwood, Op.Cit., p74
[93] Ibid, p75
[94] Hall, Op.Cit.,p94
[95] Alcotta, Op.Cit., p17.
[96] Ibid.
[97] Ibid, p67
[98] Ibid, p1
[99] Ibid
[100] John Curtin, The Age, 27th December, 1941,.p.1
[101] Alcotta, Op.Cit., p11
[102] Australian Archieves (ACT): A816/1; 31/301/293
[103] Hall,Op.Cit, p23
[104] Ibid, p63
[105] Ibid, p24
[106] Lockwood, Op.Cit.,p69.
[107] Australian Archieves (ACT): A816/1; 31/301/293
[108] Australian Archieves (Vic): MP1587/1; 156B
[109] Lockwood, Op.Cit., p65
[110] Australian Archieves (Vic): MP1587/1; 156B
[111] Ibid.
[112] Hall,Op.Cit., p47
[113] Ibid.
[114] Lockwood, Op.Cit.,p70
[115] Ibid., p71
[116] Ibid, p75
[117] Ibid, p74
[118] Ibid
[119] Ibid, p75
[120] Hall, Op.Cit., p24
[121] Australian Archieves (ACT): A816/1; 31/301/293
[122] Ibid
[123] Lockwood, Op.Cit., p2
[124] C.L.A.Abbott, Australia’s Frontline Province. Sydney, Angus and Robinson (Date not specified), p81
[125] The Australian National Library (ACT): MS4744
[126] Abbott,Op.Cit., p81
[127] Shinto or shin tao in Chinese is translated as “the way of the gods”.
Alan Bullock et.al. (eds) The Fontana Dictionary of Modern Thought, London, Fontana, .p777
[128] Piper “War Comes to Australia” Op.Cit.
[129] Bob Alford, Darwin’s Air War, 1942-1945 An Illistrated History, Darwin, The Aviation Historical Society of The Northern Territory, 1991, p21
[130] Much of the story on how and where the plane crashed is based on my own personal phone interviews with John Haslett, 4th and 5th September, 1995.
[131] Robert Kendall Piper, “Epitaph for a Darwin Raider” Canberra Times, Canberra, 12th February, 1983, p13
[132] Ibid
[133] Alford, Op.Cit., p21
[134] Australian War Memorial (ACT):AWM54;779/375
[135] John Haslett Interview.
[136] Douglas Lockwood, The Front Door: Darwin 1869-1969, Rigby, Adelaide, 1969, p128.
For a full account see. Michelle Dewar, The “Black War” in Arnhem Land: Missionaries and the Yolngu 1908-1940, The Australian University Research Unit, Darwin, 1992
[137] Lockwood, Op.Cit., p183. These descriptive letters were written by Aboriginals for their friends who missed the fun. The letters later came into the possession of Douglas Lockwood.. They were apparently in Douglas Lockwood’s possesion when he first published his book. Members of The Australian War Memorial had not heard of them nor could I locate them.
[138] James O’Connor, “Blacks Took First Jap Prisoner in Australia” from The Argus, (Date and page unknown), Department of Defence, RAAF Historical Section (ACT): Main File, Bombing of Darwin.
[139] Lockwood, Op.Cit.p183.
[140] Pye, Op.Cit, p49
[141] O’Connor,Op.Cit, Department of Defence, RAAF Historical Section (ACT): Main File, Bombing of Darwin
[142] From a recent letter sent to The Department of Veteran Affairs from Les Powell. This letter is now in the possession of Michael O’Sullivan, Curatorial Assistant, Private Records, The Australian War Memorian (ACT): The letter has not as yet been cleared for public viewing.
[143] Hajime’s clothing is now part of The RAAF Museum’s clothing collection in Point Cook, Victoria.
[144] Alford, Op.Cit., p21
[145] Les Powell from my personal interview.
[146] Hall, Op.Cit.p22
[147] Newman Rosenthal,”Sir Charles Lowe”, The Age, Melbourne, May 11th, 1968.pp17-18
[148] Alford, Op.Cit., p21
[149] The Australian War Memorial (ACT): AWM54;779/375
[150] Ibid.
This is the information
“verbatim” as contained in an intelligence report on Tadao Minimi. (The first prisoner of war.) However, for narrative
flow, I have put the reports narrative conclusions in first person
question/answer format. This may or may not be how the interrogation actually
proceeded, but the findings are unaltered. (Army
Interrogation Reports no.1 Tadeo Minami, no.2 Sakaki Minorn. 1st March, 1942.)
[151] The Australian War Memorial (ACT): AWM54;779/375
[152] Ibid.
[153] Ibid.
[154] Ibid.
[155] Charlotte Carr-Gregg, Japanese Prisoners of War in Revolt, p69
[156] Teruhiko Asada, The Night of a Thousand Suicides, (Ray Cohan Translation) , Arkon, Sydney, 1973, p71.
[157] Marekuni Takahara, Cowra Monogatari, Kobe: Toyo Keizal Shinpo, 1987.p132
[158] Piper, “Epitaph for a Darwin Raider” Op.Cit., p13.
[159] Powell, Op.Cit.,.p.253
[160] E.H.Carr, What Is Histroy, London, Harmondsworth, 1964, p9
[161] Australian Archives (ACT): AA1977;461
[162] Theodore, Zeldin. “Playmates” in London Review of Books, 13th June 1991, p15
[163] Gordon.S.Wood. “Novel History” in New York Review of Books, 27th June 1991, p12.
[164] As quoted by Simon Schama from (History Workshop Journal 1990) in “No future for History without its stories” in The Sydney Morning Herald, 18th November, 1991, p13
[165] Manning Clarke “Heroes” in Australia: The Daedalus Symposium, Sydney, Angus and Robinson, 1985, pp.57-84.